"Zar und Zimmermann, LoWV 38 / Act 2: "Lebe wohl, mein flandrisch Mädchen" by Albert Lortzing, Ingeborg Hallstein, Fritz Wunderlich, Bamberg Symphony, Hans Gierster, Bavarian Radio Chorus, Wolfgang Schubert was released on January 1, 1991. With this song being about 5 minutes long, at 5:01, "Zar und Zimmermann, LoWV 38 / Act 2: "Lebe wohl, mein flandrisch Mädchen" by Albert Lortzing, Ingeborg Hallstein, Fritz Wunderlich, Bamberg Symphony, Hans Gierster, Bavarian Radio Chorus, Wolfgang Schubert is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 94 in Fritz Wunderlich sings by Fritz Wunderlich. Zar und Zimmermann, LoWV 38 / Act 2: "Lebe wohl, mein flandrisch Mädchen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Zar und Zimmermann, LoWV 38 / Act 2: "Lebe wohl, mein flandrisch Mädchen by Albert Lortzing, Ingeborg Hallstein, Fritz Wunderlich, Bamberg Symphony, Hans Gierster, Bavarian Radio Chorus, Wolfgang Schubert is Adagio (slowly with great expression), since this song has a tempo of 71 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mass No. 2 in D Minor, "Messe Solennelle": Credo: Et resurrexit | Luigi Cherubini, Monika Wiebe, Helena Jungwirth, Rodrigo Orrego, Wolf Matthias Friedrich, Munich Motet Choir, Munich Philharmonic Orchestra, Hans Rudolf Zöbeley | D Major | 2 | 10B | 66 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
Marschner: Hans Heiling, Op. 80: "Gönne mir ein wort der Liebe" (Konrad) | Heinrich Marschner, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Slavonic Dances, Series II, Op. 72: Mazur - Allegretto grazioso | Antonín Dvořák, Czech Philharmonic Orchestra, Karel Sejna | C Major | 2 | 8B | 84 BPM | ||
Undine: Act II: Entracte | Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn | E♭ Minor | 0 | 2A | 139 BPM | ||
Zar und Zimmermann · Komische Oper in 3 Akten (1995 Digital Remaster), Erster Akt: Dialog | Albert Lortzing, Hermann Prey/Peter Schreier/Gottlob Frick/Erika Köth/Anneliese Burmeister /Nicolai Gedda/Fred Teschler/Siegfried Vogel /Chor des Leipziger Rundfunks/Staatskapelle Dresden/Robert Heger, Robert Heger, Staatskapelle Dresden | D♭ Minor | 1 | 12A | 92 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): I. Az intezett veszedelem (Threatening Danger) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 115 BPM | ||
Serenade for Winds in D Minor, Op. 44: I. Moderato, quasi Marcia | Antonín Dvořák, Czech Philharmonic Chamber Orchestra, Vahan Mardirossian | D Minor | 1 | 7A | 101 BPM | ||
Achmet und Zenide, Act IV: Marsch | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 2 | 6B | 108 BPM | ||
Zar und Zimmermann: Lebe wohl, mein flandrisch Mädchen | Albert Lortzing, Klaus Florian Vogt, Peter Schneider | E♭ Major | 2 | 5B | 125 BPM |