Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn's 'Undine: Act II: Entracte' came out on January 1, 2005. With Undine: Act II: Entracte being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Albert Lortzing, Monika Krause, Kurt Peter Eichhorn's "Lortzing, A.: Undine [Opera]" album is number 14 out of 37. On top of that, United States appears to be the country where this track was created. Based on our statistics, Undine: Act II: Entracte's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Undine: Act II: Entracte by Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn to be Allegro (fast, quick, and bright) because the track has a tempo of 139 テンポ, a half-time of 70テンポ, and a double-time of 278 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Fantasia dall'Italia: "Nel cor più non mi sento" dalla Bella Molinara di Giovanni Paisiello, Op. 4: IV. Variazione II più mossa | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | G Major | 5 | 9B | 149 BPM | ||
Violin Concerto in D Minor, WoO 1: III. Lebhaft, doch nicht schnell (Excerpt) | Robert Schumann, Ilya Kaler, Bournemouth Symphony Orchestra, Pietari Inkinen | D Major | 2 | 10B | 76 BPM | ||
Symphony in D Major, G. 500: IV. Presto | Luigi Boccherini, German Chamber Academy Neuss, Johannes Goritzki | D Major | 3 | 10B | 91 BPM | ||
String Quartet No. 8 in B-Flat Major, D. 112: IV. Presto | Franz Schubert, Takács Quartet | B♭ Major | 1 | 6B | 154 BPM | ||
Symphony in B-Flat Major, LMV VII:B6 (Formerly Attrib. W.A. Mozart as K. 17): IV. Presto | Leopold Mozart, Royal Philharmonic Orchestra, Erich Leinsdorf | A Major | 1 | 11B | 83 BPM | ||
Tejido | Juan Pablo Fernández Ramos | F Major | 0 | 7B | 136 BPM | ||
Der Vampyr (The Vampire): Act I Scene 2: Recitative and Aria: Ha! Noch einen ganzen Tag! - Ha! WelcheLust (Ruthven) | Heinrich Marschner, Markus Marquardt, Regina Klepper, Jonas Kaufmann, Franz Hawlata, Yoo-Chang Nah, Anke Hoffmann, Thomas Dewald, Heinz Heidbüchel, Kay Immer, Franz Gerihsen, Josef Otten, Marietta Schwittay-Niedzwicki, Dirk Schortemeier, Cologne WDR Radio Chorus, WDR Sinfonieorchester Köln, Helmut Froschauer | D Minor | 2 | 7A | 168 BPM | ||
Symphony No. 49 in F Major: III. Presto ma non troppo | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | F Major | 2 | 7B | 80 BPM | ||
Rossini: La scala di seta: Overture | Gioachino Rossini, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 1 | 8B | 135 BPM | ||
Athalie, Op. 74, MWV M16: Kreigsmarsch der Priester | Felix Mendelssohn, Dirk Schortemeier, Anna Korondi, Sabina Martin, Ann Hallenberg, Barbara Ochs, Chorus Musicus Köln, Neue Orchester, Christoph Spering | D Major | 1 | 10B | 80 BPM |