Heinrich Marschner, Markus Marquardt, Regina Klepper, Jonas Kaufmann, Franz Hawlata, Yoo-Chang Nah, Anke Hoffmann, Thomas Dewald, Heinz Heidbüchel, Kay Immer, Franz Gerihsen, Josef Otten, Marietta Schwittay-Niedzwicki, Dirk Schortemeier, Cologne WDR Radio Chorus, WDR Sinfonieorchester Köln, Helmut Froschauer's 'Der Vampyr (The Vampire): Act I Scene 2: Recitative and Aria: Ha! Noch einen ganzen Tag! - Ha! WelcheLust (Ruthven)' had a release date set for January 1, 2006. This song is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. The track order of this song in Heinrich Marschner, Helmut Froschauer's "Marschner, H.A.: Vampire (The) [Opera]" album is number 3 out of 21. The popularity of Der Vampyr (The Vampire): Act I Scene 2: Recitative and Aria: Ha! Noch einen ganzen Tag! - Ha! WelcheLust (Ruthven) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Vampyr (The Vampire): Act I Scene 2: Recitative and Aria: Ha! Noch einen ganzen Tag! - Ha! WelcheLust (Ruthven) by Heinrich Marschner, Markus Marquardt, Regina Klepper, Jonas Kaufmann, Franz Hawlata, Yoo-Chang Nah, Anke Hoffmann, Thomas Dewald, Heinz Heidbüchel, Kay Immer, Franz Gerihsen, Josef Otten, Marietta Schwittay-Niedzwicki, Dirk Schortemeier, Cologne WDR Radio Chorus, WDR Sinfonieorchester Köln, Helmut Froschauer to be Vivace (lively and fast) because the track has a tempo of 168 テンポ, a half-time of 84テンポ, and a double-time of 336 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio No. 2 in G Minor, Op. 111: II. Romance: Andantino | Heinrich Marschner, Ravensburg Beethoven Trio | A♭ Major | 0 | 4B | 73 BPM | ||
Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Hans Heiling, Op. 80, Act II: Wohl durch den grünen Wald mein Jägerhorn erschallt! (Live) | Heinrich Marschner, Jessica Muirhead, Jeffrey Dowd, Essener Philharmoniker, Frank Beermann | G Major | 2 | 9B | 83 BPM | ||
Symphony No. 5 in C Minor, Op. 67 (Arr. for Orchestra by Gustav Mahler): IV. Allegro | Ludwig van Beethoven, Deutsche Staatsphilharmonie Rheinland-Pfalz, Michael Francis | D Major | 1 | 10B | 67 BPM | ||
The Bartered Bride: ACT I, Scene 1. Sbor Proč bychom se netěšili | Bedřich Smetana, BBC Singers, Jiří Bělohlávek, BBC Symphony Orchestra | G Major | 1 | 9B | 70 BPM | ||
Serenade for Winds in D Minor, Op. 44: IV. Allegro Molto | Antonín Dvořák, Czech Philharmonic Chamber Orchestra, Vahan Mardirossian | D Minor | 1 | 7A | 101 BPM | ||
Die Freunde von Salamanka, D. 326: Ouverture. Allegro vivace | Franz Schubert, Vienna Radio Symphony Orchestra, Theodor Guschlbauer | C Major | 2 | 8B | 130 BPM | ||
Requiem in C Minor: III. Dies irae | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | C Minor | 1 | 5A | 85 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto - Live | Ludwig van Beethoven, BBC Northern Orchestra, Pierre Monteux | D Minor | 3 | 7A | 77 BPM | ||
Lurline: Overture | William Vincent Wallace, Victorian Opera Orchestra, Richard Bonynge | D Major | 1 | 10B | 117 BPM |