Leopold Mozart, Royal Philharmonic Orchestra, Erich Leinsdorf's ' "Symphony in B-Flat Major, LMV VII:B6 (Formerly Attrib. W.A. Mozart as K. 17): IV. Presto" was released on its scheduled release date, January 1, 2005. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Erich Leinsdorf's "Mozart: The Symphonies" album is number 7 out of 147. On top of that, Germany appears to be the country where this track was created. Symphony in B-Flat Major, LMV VII:B6 (Formerly Attrib. W.A. Mozart as K. 17): IV. Presto is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Symphony in B-Flat Major, LMV VII:B6 (Formerly Attrib. W.A. Mozart as K. 17): IV. Presto by Leopold Mozart, Royal Philharmonic Orchestra, Erich Leinsdorf to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in F Major, F. 28: III. Presto | Josef Mysliveček, Matthias Bamert, London Mozart Players | D Major | 0 | 10B | 87 BPM | ||
Kettenbrucke Galoppe (Chain-Bridge Galop), Op. 21b | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | F Major | 2 | 7B | 123 BPM | ||
When You Walk Through Woods | Elinor Remick Warren, Marie Gibson | B♭ Major | 1 | 6B | 79 BPM | ||
Silia valssi mollissa for String Orchestra | Wiljami Niittykoski, Ostrobothnian Chamber Orchestra, Kreeta-Maria Kentala | G Minor | 1 | 6A | 146 BPM | ||
Armida, Atto Secondo Scena 2: Ballo | Antonio Salieri, Les Talens Lyriques, Christophe Rousset | G Major | 0 | 9B | 65 BPM | ||
Gli orazi e i curiazi: Overture (1800 Paris Version) | Domenico Cimarosa, Czech Philharmonic Chamber Orchestra, Patrick Gallois | C Major | 1 | 8B | 134 BPM | ||
Symphony in D Major, G. 500: IV. Presto | Luigi Boccherini, German Chamber Academy Neuss, Johannes Goritzki | D Major | 3 | 10B | 91 BPM | ||
Symphony No. 1, Op. 11: IV. Allegro con fuoco | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: No. 16, Anitra's Dance | Edvard Grieg, Sir Thomas Beecham, Royal Philharmonic Orchestra | A Major | 2 | 11B | 95 BPM | ||
Double Bass Concerto in D Major: II. Adagio | Johann Baptist Vanhal, Zsolt Fejervari, Budapest Ferenc Erkel Chamber Orchestra | A Major | 0 | 11B | 122 BPM |