Marco Uccellini, Nicholas McGegan, The Arcadian Academy's 'Sonate, correnti et arie, Op. 4: Sonata IV detta "La Hortensa virtuosa"' came out on November 10, 1993. The duration of Sonate, correnti et arie, Op. 4: Sonata IV detta "La Hortensa virtuosa" is about 3 minutes long, at 3:01. Based on our data, "Sonate, correnti et arie, Op. 4: Sonata IV detta "La Hortensa virtuosa"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Uccellini: "La bergamasca"". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Sonate, correnti et arie, Op. 4: Sonata IV detta "La Hortensa virtuosa" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonate, correnti et arie, Op. 4: Sonata IV detta "La Hortensa virtuosa" by Marco Uccellini, Nicholas McGegan, The Arcadian Academy having a テンポ of 119 with a half-time of 60 テンポ and a double-time of 238 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il terzo libro de varie sonate, sinfonie..., Op. 12: Sonata in G Major on an Aria by Ruggiero | Salomone Rossi, Jordi Savall | G Major | 2 | 9B | 89 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Les Saisons amsusantes, Op. 8: Concerto No. 1, "Le Printemps": I. Allegro | Nicolas Chédeville, Dorothee Oberlinger | B Major | 2 | 1B | 112 BPM | ||
Lambert: Mes jours s'en vont finir | Michel Lambert, Jean Rondeau, Marc Mauillon, Myriam Rignol | F♯ Minor | 1 | 11A | 84 BPM | ||
Sonata No. 2 in A Major, C. 91 "The Visitation": Sonata - Allemanda - Presto | Heinrich Ignaz Franz von Biber, Rachel Podger, David Miller, Marcin Świątkiewicz, Jonathan Manson | A♭ Major | 1 | 4B | 67 BPM | ||
La Terpsichore: VII. Langloise. Gigue (Gay) | Jean-Féry Rebel, Jordi Savall | D♭ Major | 3 | 3B | 109 BPM | ||
Book 2: Sonata VIII | Marco Uccellini, Nicholas McGegan, The Arcadian Academy | B Major | 1 | 1B | 119 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Al fragor di lieta tromba, Sinfonia: III. Allegro | Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi | G Minor | 0 | 6A | 117 BPM | ||
No. 2: Concerto Secondo: II. Affettuoso | Georg Philipp Telemann, Gustav Leonhardt, Barthold Kuijken, Wieland Kuijken, Sigiswald Kuijken | F Major | 0 | 7B | 72 BPM |