Charles Wood, St Edmundsbury Cathedral Choir, Scott Farrell, Mervyn Cousins's 'Evening Service in D Major: I. Magnificat' came out on May 13, 1996. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in St Edmundsbury Cathedral Choir, Scott Farrell, Mervyn Cousins's "Magnificat & Nunc dimittis, Vol. 11" album is number 15 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Evening Service in D Major: I. Magnificat's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Evening Service in D Major: I. Magnificat by Charles Wood, St Edmundsbury Cathedral Choir, Scott Farrell, Mervyn Cousins to be Allegro (fast, quick, and bright) because the track has a tempo of 133 テンポ, a half-time of 66テンポ, and a double-time of 266 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thousand Year Dreaming: In Full Bloom (Part 1) | Annea Lockwood, Peter Zummo, Libby Van Cleve, Art Baron, J.D. Parran, Charles Wood, John Snyder, N. Scott robinson, Michael Pugliese | E♭ Major | 1 | 5B | 124 BPM | ||
Ay, mi Dios | Pedro de Cristo, Coro de Câmara de Lisboa, Teresita Gutierrez Marques | B Minor | 7 | 10A | 97 BPM | ||
Full Fathom Five | Charles Wood, Canzonetta, Jeffrey Wynn Davies | D Major | 1 | 10B | 76 BPM | ||
Jesus, You Are the Way | Margaret Rizza, Kevin Mayhew Ltd | E Major | 1 | 12B | 143 BPM | ||
Romanzen, Book 1, Op. 69: No. 6. Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | B Major | 0 | 1B | 83 BPM | ||
4 Shakespeare Songs: No. 4. Full fathom five | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | A♭ Major | 1 | 4B | 89 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM | ||
Mass for Double Choir: Kyrie | Frank Martin, Mikaeli Chamber Choir, Anders Eby | A Minor | 0 | 8A | 81 BPM | ||
Australian Up-Country Song | Percy Grainger, Academy of St. Martin in the Fields Chorus, Richard Hickox | E♭ Major | 0 | 5B | 77 BPM | ||
Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 1 | 7A | 81 BPM |