"Full Fathom Five" by Charles Wood, Canzonetta, Jeffrey Wynn Davies was released on February 1, 2014. With Full Fathom Five being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "The Long Day Closes". In this album, this song's track order is #12. Full Fathom Five is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Full Fathom Five by Charles Wood, Canzonetta, Jeffrey Wynn Davies having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalm 5 "Ponder My Words, O Lord" | Edward Bairstow, York Minster Choir, John Scott Whiteley, Philip Moore | F♯ Minor | 1 | 11A | 104 BPM | ||
Evening Service in D Major: II. Nunc dimittis | Charles Wood, St Edmundsbury Cathedral Choir, Scott Farrell, Mervyn Cousins | E♭ Major | 2 | 5B | 78 BPM | ||
Cor Mundum Crea in Me Deus | Cincinnati Choral Society, Howard Helvey | B♭ Major | 2 | 6B | 69 BPM | ||
Come, Risen Lord | William Ferris Chorale | B♭ Major | 2 | 6B | 65 BPM | ||
Lay a garland on her hearse | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | C Minor | 1 | 5A | 129 BPM | ||
God Omnipotent Reigneth | Charles Wood, Blackburn Cathedral Choir, David Goodenough, David Anthony Cooper | E♭ Major | 0 | 5B | 82 BPM | ||
Wie Lieblich Sind Deine Wohnungen, Op. 35 | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | B♭ Major | 0 | 6B | 73 BPM | ||
O Radiant Dawn | James MacMillan, Apollo5 | C Minor | 1 | 5A | 135 BPM | ||
Dixit Maria | Hans Leo Hassler, Gloriae Dei Cantores, Elizabeth C. Patterson | G Major | 1 | 9B | 106 BPM | ||
Magnificat in F Major (1) | George Dyson, Hereford Cathedral Choir, Huw Williams, Roy Massey | G Major | 2 | 9B | 169 BPM |