Giovanni Zamboni, Simone Vallerotonda's 'Sonate d'intavolatura di leuto, Op. 1, Sonata VIII: Alemanda' came out on June 10, 2016. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Zamboni: L'ultimo romano. Sonate d'intavolatura di leuto, 1718 by Giovanni Zamboni, Simone Vallerotonda. The song's track number on the album is #2 out of 28 tracks. Sonate d'intavolatura di leuto, Op. 1, Sonata VIII: Alemanda is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Sonate d'intavolatura di leuto, Op. 1, Sonata VIII: Alemanda by Giovanni Zamboni, Simone Vallerotonda has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sonate d'intavolatura di leuto, Op. 1, Sonata VIII: Alemanda being at 85 テンポ, the half-time would be 42 テンポ with a double-time of 170 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Distressed Innocence, Z. 577: Air II | Henry Purcell, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 125 BPM | ||
Courante: Corante | Robert Ballard, Joachim Held | A Major | 2 | 11B | 165 BPM | ||
Suite in A Major: IV. la maribelle | Vieux Gaultier, Hopkinson Smith | G Major | 3 | 9B | 66 BPM | ||
The First Part of Ayres, French, Pollish and Others: No. 72. A Meditation | Tobias Hume, Philippe Pierlot | B Major | 0 | 1B | 143 BPM | ||
La bizare: Gaillarde | Francesca Torelli, Charles Mouton | A Minor | 1 | 8A | 129 BPM | ||
Variationen 'Nun sich der Tag geendet hat' | Adam Falkenhagen, Lutz Kirchhof | F♯ Minor | 2 | 11A | 103 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
A Plaine song for 2 Lutes | Thomas Robinson, Ronn McFarlane, William Simms | G Major | 1 | 9B | 117 BPM | ||
Tastar de corde | Joan Ambrosio Dalza, Shirley Rumsey | C Minor | 0 | 5A | 82 BPM | ||
Suite in C Minor from Pieces de luth Premier Liure: VII. La belle Angloise Gigue | Charles Mouton, Anders Ericson | B Minor | 2 | 10A | 88 BPM |