Henry Purcell, Lautten Compagney, Wolfgang Katschner's 'Distressed Innocence, Z. 577: Air II' came out on October 8, 2021. With Distressed Innocence, Z. 577: Air II being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Time Travel". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Based on our statistics, Distressed Innocence, Z. 577: Air II's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Distressed Innocence, Z. 577: Air II by Henry Purcell, Lautten Compagney, Wolfgang Katschner having a テンポ of 125 with a half-time of 62 テンポ and a double-time of 250 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Blackbird (Arr. for baroque orchestra and saxophone) | Lennon, Mccartney, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner | D Major | 1 | 10B | 108 BPM | ||
Kathrein Bairdie | The Royal Wind Music | E Major | 1 | 12B | 97 BPM | ||
The Fairy Queen, Z. 629, Act 5: No. 43, Thus the Gloomy World (Arr. for baroque orchestra and saxophone) | Henry Purcell, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner | E♭ Minor | 1 | 2A | 132 BPM | ||
Daca, bailemos Carillo | Juan del Encina, ContrArco Consort | F Major | 1 | 7B | 97 BPM | ||
Recercar | Stephen Stubbs | F♯ Minor | 0 | 11A | 109 BPM | ||
Fantasia-Suite in A Minor, VdGS group IV, No. 1: III. Courante | John Jenkins, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Duo Et misericordia eius | The Royal Wind Music, Capella Sancta María, Alfred Fernández | A♭ Minor | 0 | 1A | 126 BPM | ||
Lute Sonata in E-Flat Major, Op. 1, No. 2: III. Vivace | Adam Falckenhagen, Andrew Maginley | B Major | 2 | 1B | 78 BPM | ||
The Fairy Queen, Z. 629, Act 5: No. 40, O Let Me Weep (Arr. for baroque orchestra and saxophone) | Henry Purcell, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner | E♭ Major | 1 | 5B | 142 BPM | ||
Première suytte de Bransles d'Escosse | Pierre Attaingnant, Doulce Mémoire, Denis Raisin-Dadre | C Minor | 2 | 5A | 105 BPM |