Thomas Robinson, Ronn McFarlane, William Simms's 'A Plaine song for 2 Lutes' came out on July 3, 2012. With A Plaine song for 2 Lutes being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Two Lutes: Lute Duets from England's Golden Age". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United States. In terms of popularity, A Plaine song for 2 Lutes is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With A Plaine song for 2 Lutes by Thomas Robinson, Ronn McFarlane, William Simms having a テンポ of 117 with a half-time of 58 テンポ and a double-time of 234 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Canción del Emperador | Luis de Narváez, Dulces Exuviae, Bor Zuljan | F♯ Major | 1 | 2B | 75 BPM | ||
Cello Suite No. 1, BWV 1007 (Arr. A. Sariel for Archlute): V. Menuets I & II | Johann Sebastian Bach, Alon Sariel | A Minor | 4 | 8A | 81 BPM | ||
Da Ripa : Part II: Per illud ave | Heringman | F♯ Minor | 0 | 11A | 76 BPM | ||
Eccho or Allmane | Francis Pilkington, John Marchant, Ronn McFarlane, William Simms | G Major | 2 | 9B | 119 BPM | ||
Quia vidisti me, Thoma | Orlande de Lassus, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 63 BPM | ||
Suite in C Minor from Pieces de luth Premier Liure: IV. La belle Florantine Sarabande | Charles Mouton, Anders Ericson | B Minor | 1 | 10A | 119 BPM | ||
Cancion del primer tono (after a Canzon by Nicolaus Gombert) | Luis de Narváez, Lutz Kirchhof | D Minor | 0 | 7A | 91 BPM | ||
Ayres for the Violin (arr. for guitar): Aria I | Nicola Matteis, Pierre Pitzl | B Minor | 2 | 10A | 86 BPM | ||
Suite in D Minor: V. Les derniers paroles | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
When Laura smiles | Philip Rosseter, Julianne Baird, Ronn McFarlane | G Minor | 0 | 6A | 75 BPM |