On June 24, 2022, the song "Cello Suite No. 1, BWV 1007 (Arr. A. Sariel for Archlute): V. Menuets I & II" was released by Johann Sebastian Bach, Alon Sariel. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Plucked Bach - Cello Suites". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Netherlands. Cello Suite No. 1, BWV 1007 (Arr. A. Sariel for Archlute): V. Menuets I & II is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Cello Suite No. 1, BWV 1007 (Arr. A. Sariel for Archlute): V. Menuets I & II by Johann Sebastian Bach, Alon Sariel having a テンポ of 81 with a half-time of 40 テンポ and a double-time of 162 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude in C Major: X. 10 Prelude | Silvius Leopold Weiss, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen | B Major | 1 | 1B | 134 BPM | ||
Je suis trop jeunette, pour instruments | Raulin De Vaux, Doulce Mémoire | E♭ Minor | 0 | 2A | 90 BPM | ||
The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
[Suite en la majeur]: XIII. Chaconne (No. 31) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 121 BPM | ||
Kathrein Bairdie | The Royal Wind Music | E Major | 1 | 12B | 97 BPM | ||
Pour le piano, L. 95: II. Sarabande (Transcr. Y. Kondonassis) | Claude Debussy, Yolanda Kondonassis | E♭ Major | 0 | 5B | 107 BPM | ||
Niin levoton on tänään maailmamme | Pekka Syrjäniemi, SRK Instrumentaali, Mikael Säily, Tommi Tuovinen | G Major | 1 | 9B | 67 BPM | ||
Guitar Sonata No. 11 in A Major, MS 84 | Niccolò Paganini, Mauro Bonelli | E♭ Major | 2 | 5B | 121 BPM | ||
Das Erst Buch. Ein Newes Lautenbüchlein, 1544: Ein Gutter Venecianer Tantz, Mit Hupf Auff | Hans Neusidler, Joachim Held | B Minor | 1 | 10A | 159 BPM | ||
Dances: Ecce quam bonum | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | C Minor | 0 | 5A | 114 BPM |