"Messa di Requiem, Dies irae: Confutatis - Dies irae" by Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker was released on November 6, 2001. With this song being about 5 minutes long, at 5:25, "Messa di Requiem, Dies irae: Confutatis - Dies irae" by Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi: Messa da Requiem by Giuseppe Verdi, Roberto Alagna, Angela Gheorghiu, Berliner Philharmoniker, Claudio Abbado. The song's track number on the album is #11 out of 21 tracks. Messa di Requiem, Dies irae: Confutatis - Dies irae is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messa di Requiem, Dies irae: Confutatis - Dies irae by Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Messa di Requiem, Dies irae: Confutatis - Dies irae being at 76 テンポ, the half-time would be 38 テンポ with a double-time of 152 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Carmen, WD 31 / Act 2: "Votre toast... je peux..." - "Toréador, en garde" | Georges Bizet, Sherrill Milnes, George Main, Robert Lloyd, Teresa Berganza, Yvonne Kenny, Gordon Sandison, Geoffrey Pogson, Alicia Nafé, Jean Lainé, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthy | F Major | 2 | 7B | 105 BPM | ||
Te Deum, WAB 45: 4. Salvum fac | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | F Minor | 1 | 4A | 89 BPM | ||
Requiem In D Minor, K.626 - compl. by Franz Xaver Süssmayer: 3. Sequentia: Recordare | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz | F Minor | 1 | 4A | 74 BPM | ||
Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to" | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin, Tölzer Knabenchor, Wojciech Drabowicz, Mikhail Krutikov | B Major | 2 | 1B | 85 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Deh! vieni alla finestra" | Wolfgang Amadeus Mozart, Samuel Ramey, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 150 BPM | ||
Mozart: Requiem in D Minor, K. 626: XI. Sanctus | Wolfgang Amadeus Mozart, Riccardo Muti, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker | D Major | 3 | 10B | 77 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Dalla sua pace" | Wolfgang Amadeus Mozart, Gösta Winbergh, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 83 BPM | ||
Te Deum, WAB 45: 5. In te, Domine, speravi | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Major | 2 | 8B | 96 BPM | ||
Carmen, WD 31 / Act I: Introduction: "Sur la place chacun passe" | Georges Bizet, Stuart Harling, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthy | E Major | 0 | 12B | 79 BPM | ||
La Bohème / Act 3: "Ohè, là, le guardie!" - "Aprite!" | Giacomo Puccini, Hans-Dietrich Pohl, Elizabeth Harwood, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 123 BPM |