"Te Deum, WAB 45: 4. Salvum fac" by Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll was released on January 1, 1999. Te Deum, WAB 45: 4. Salvum fac is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. The song is number 4 out of 16 in Bruckner: Te Deum; Motetten; 150. Psalm by Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Richard Holm, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Bavarian Radio Chorus, Wolfgang Meyer, Hedwig Bilgram. Te Deum, WAB 45: 4. Salvum fac is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Te Deum, WAB 45: 4. Salvum fac by Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll is Andante (at a walking pace), since this song has a tempo of 89 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Frauenliebe und -leben Op. 42: 1. Seit ich ihn gesehen | Robert Schumann, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 0 | 6B | 138 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: Einleitung - Rezitativ und Chor: "Im Anfange" | Franz Joseph Haydn, Gösta Winbergh, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | A♭ Major | 0 | 4B | 80 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (f) Etwas bewegter | Gustav Mahler, Otto Klemperer, Elisabeth Schwarzkopf, Hilde Rössel Majdan, The Philharmonia Chorus, Philharmonia Orchestra | A♭ Major | 0 | 4B | 124 BPM | ||
Rückert Lieder: I. Blicke mir nicht in die Lieder | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | B Minor | 1 | 10A | 133 BPM | ||
Symphony In D Minor: 3. Allegro non troppo | César Franck, Berliner Philharmoniker, Carlo Maria Giulini | G Major | 1 | 9B | 65 BPM | ||
Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1, Introduction | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Rundfunkchor Berlin | D Minor | 2 | 7A | 72 BPM | ||
Aequali No. 1, WAB 114 | Anton Bruckner, Mark Templeton, Helen Vollam, Patrick Jackman, Nigel Short | C Minor | 0 | 5A | 69 BPM | ||
Messe F-Moll, WAB 28: II. Gloria | Anton Bruckner, Philippe Herreweghe, Ingela Bohlin, Alfred Reiter, Joseph Moor, Hans-Jörg Mammel, RIAS Kammerchor, Ingeborg Danz | G Major | 1 | 9B | 81 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio | Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 77 BPM | ||
Nabucco / Act I: Gli arredi festivi giù cadano infranti | Giuseppe Verdi, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | E Major | 1 | 12B | 80 BPM |