"Aequali No. 1, WAB 114" by Anton Bruckner, Mark Templeton, Helen Vollam, Patrick Jackman, Nigel Short was released on October 30, 2015. With Aequali No. 1, WAB 114 being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 18 in Brahms & Bruckner: Motets by Tenebrae, Nigel Short. Aequali No. 1, WAB 114 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aequali No. 1, WAB 114 by Anton Bruckner, Mark Templeton, Helen Vollam, Patrick Jackman, Nigel Short is Adagio (slowly with great expression), since this song has a tempo of 69 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
The Modern Man I Sing: No. 2, The Last Invocation | Bob Chilcott, Tenebrae, Nigel Short | G Minor | 0 | 6A | 128 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Symphony No. 5: IV. Passacaglia. Moderato | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
To Thee, O Victorious Leader | Sergei Rachmaninoff, Tenebrae, Nigel Short | C Major | 2 | 8B | 84 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
Requiem in D Minor, Op. 48: Libera me | Gabriel Fauré, Tenebrae, William Gaunt, LSO Chamber Ensemble, Nigel Short | B♭ Major | 1 | 6B | 175 BPM | ||
Sarabande, BWV 1012 - Cello Suite No. 6, Arr. Fryer | Johann Sebastian Bach, Jonathan Freeman-Attwood, Daniel-Ben Pienaar | D Major | 0 | 10B | 126 BPM | ||
Autumn, H.24 | Frank Bridge, Tenebrae, Nigel Short | D Major | 1 | 10B | 81 BPM |