"The Modern Man I Sing: No. 2, The Last Invocation" by Bob Chilcott, Tenebrae, Nigel Short was released on September 30, 2016. The duration of The Modern Man I Sing: No. 2, The Last Invocation is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. The Modern Man I Sing: No. 2, The Last Invocation's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tenebrae, Nigel Short's "Music of the Spheres: Part Songs of the British Isles" album is number 19 out of 20. Based on our statistics, The Modern Man I Sing: No. 2, The Last Invocation's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Modern Man I Sing: No. 2, The Last Invocation by Bob Chilcott, Tenebrae, Nigel Short to be Allegro (fast, quick, and bright) because the track has a tempo of 128 テンポ, a half-time of 64テンポ, and a double-time of 256 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | ||
Irish Blessing (with The Priests) (Arr. by Simon Lole) | Bob Chilcott, Franz Xaver Gruber, Aled Jones, Tom Rainey, The New Zealand Sinfonietta | E♭ Major | 4 | 5B | 140 BPM | ||
Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | ||
The Passing of the Year: No. 1. Invocation | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | G Major | 1 | 9B | 143 BPM | ||
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM | ||
My Shepherd Will Supply My Need | Virgil Thomson, Westminster Choir, Joseph Flummerfelt | D Major | 0 | 10B | 87 BPM | ||
Circlesong: Part VII, Death: The Sun’s Beams are Running Out / We Wait in the Darkness | Bob Chilcott, Andreea Muţ, Jessica Myers, Houston Chamber Choir, The Treble Choir of Houston, Robert Simpson | C Minor | 0 | 5A | 83 BPM | ||
2 Choral songs, Op. 73: No. 2. Serenade | Edward Elgar, Cambridge University Chamber Choir, Christopher Robinson | G Major | 1 | 9B | 75 BPM | ||
Cantate Domino (Motette): 2011 | Josu Elberdin, Stephanie Arden, Marianne Zabel, Kammerchor I Vocalisti, Hans-Joachim Lustig | A Major | 1 | 11B | 99 BPM | ||
Circlesong: Part V, Middle Age: O Great Spirit | Bob Chilcott, Andreea Muţ, Jessica Myers, Richard Brown, Mark Stein, Leonardo Soto, Matt Richards, Houston Chamber Choir, The Treble Choir of Houston, Robert Simpson | C Minor | 0 | 5A | 83 BPM |