Edward Elgar, Cambridge University Chamber Choir, Christopher Robinson's '2 Choral songs, Op. 73: No. 2. Serenade' came out on March 25, 2008. The duration of 2 Choral songs, Op. 73: No. 2. Serenade is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. 2 Choral songs, Op. 73: No. 2. Serenade's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 20 in Elgar: Part-Songs by Edward Elgar. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. 2 Choral songs, Op. 73: No. 2. Serenade is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 2 Choral songs, Op. 73: No. 2. Serenade by Edward Elgar, Cambridge University Chamber Choir, Christopher Robinson is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa ‘De Angelis’: II. Gloria | Claudio Dall'Albero, The Choir of Sidney Sussex College, Cambridge, David Skinner | E♭ Major | 1 | 5B | 99 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
Majsång (Arr. R. Sund): Majsång (Arr. R. Sund) | Friedrich Kuhlau, Allmänna Sången, Cecilia Rydinger Alin | A♭ Major | 0 | 4B | 139 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Missa Pontificalis: Gloria | Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti | D Major | 0 | 10B | 86 BPM | ||
Brewer: Nunc Dimittis in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 135 BPM | ||
Wash me throughly | Samuel Sebastian Wesley, Emilia Hughes, James McVinnie, Choir of Clare College, Cambridge, Christopher Robinson | G Minor | 1 | 6A | 138 BPM | ||
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM |