Georges Delerue, Romain Leleu, Stuttgart Philharmonic Orchestra, Marcus Bosch's 'La Nuit américaine: Grand Choral' came out on February 25, 2022. The duration of La Nuit américaine: Grand Choral is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. La Nuit américaine: Grand Choral's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Romain Leleu, Stuttgart Philharmonic Orchestra, Marcus Bosch, Romain Leleu Sextet's "Move - The Trumpet as Movie Star" album is number 4 out of 18. On top of that, France appears to be the country where this track was created. In terms of popularity, La Nuit américaine: Grand Choral is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Nuit américaine: Grand Choral by Georges Delerue, Romain Leleu, Stuttgart Philharmonic Orchestra, Marcus Bosch to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Major | 3 | 3B | 141 BPM | ||
Theme Andreï 5 | Armand Amar | G Minor | 1 | 6A | 85 BPM | ||
Cello Concerto in A Minor, Op. 129: III. Sehr lebhaft | Robert Schumann, Pablo Ferrandez, Radoslaw Szulc, Stuttgart Philharmonic Orchestra | D Minor | 1 | 7A | 127 BPM | ||
Then It's a Gift (End Title) | Maurice Jarre | G Major | 4 | 9B | 169 BPM | ||
Breakfast at Tiffany's: Moon River | Henry Mancini, Romain Leleu, Stuttgart Philharmonic Orchestra, Marcus Bosch | G Minor | 0 | 6A | 66 BPM | ||
Rolls | Stéphane Grappelli | B Minor | 4 | 10A | 76 BPM | ||
Piano Trio No.2 in E flat, Op.100 D.929: 2. Andante con moto | Franz Schubert, Beaux Arts Trio | C Minor | 0 | 5A | 101 BPM | ||
Valse en do dièse mineur | Frédéric Chopin, Bratislava Chamber Ensemble, Bratislava Radio Symphony Orchestra, Slovak Philharmonic | D♭ Minor | 1 | 12A | 76 BPM | ||
14. Pavane. Andante Molto Moderato, Op. 50 | Gabriel Fauré, Philadelphia Orchestra, Eugene Ormandy | F♯ Minor | 0 | 11A | 129 BPM | ||
Schwanengesang, D. 957: No. 4, Serenade - Arr. for Arpeggione and Piano | Franz Schubert, Anne Gastinel, Claire Désert | D Major | 0 | 10B | 67 BPM |