"Schwanengesang, D. 957: No. 4, Serenade - Arr. for Arpeggione and Piano" by Franz Schubert, Anne Gastinel, Claire Désert was released on September 20, 2005. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Schubert: Arpeggione, Sonatina & Lieder Transcriptions". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Schwanengesang, D. 957: No. 4, Serenade - Arr. for Arpeggione and Piano is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schwanengesang, D. 957: No. 4, Serenade - Arr. for Arpeggione and Piano by Franz Schubert, Anne Gastinel, Claire Désert having a テンポ of 67 with a half-time of 34 テンポ and a double-time of 134 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I. Allegro moderato | Baldassare Galuppi, Martin Stadtfeld | C Minor | 1 | 5A | 66 BPM | ||
Ave Maria: Arr. from Bach's Prelude No. 1, BWV 846 (Arr. by Maisky) | Charles Gounod, Pavel Gililov, Mischa Maisky | C Major | 1 | 8B | 89 BPM | ||
Cerf-volant (Arr. for Viola & Piano) | Adrien La Marca, Danae Dörken | F Major | 1 | 7B | 72 BPM | ||
Schubert: Der Erlkönig | Johann Wolfgang von Goethe, Franz Schubert, Andreas Burkhart, Akemi Murakami | F Minor | 2 | 4A | 67 BPM | ||
An die Musik, D. 547 - Arr. for Arpeggione and Piano | Franz Schubert, Anne Gastinel, Claire Désert | D Major | 0 | 10B | 91 BPM | ||
Trio in E-Flat Major, D. 929: II. Andante con moto | Franz Schubert, Isaac Stern, Leonard Rose, Eugene Istomin | C Minor | 0 | 5A | 101 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Coppélia, Act I: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E♭ Major | 2 | 5B | 91 BPM | ||
Monti / Transcr. Capuçon, G: Csárdás | Vittorio Monti, Gautier Capuçon, Jerome Ducros | D Minor | 1 | 7A | 92 BPM | ||
Danzas Españolas, Op. 37: II. Oriental. Andante | Enrique Granados, Alicia de Larrocha | C Minor | 0 | 5A | 62 BPM |