"Danzas Españolas, Op. 37: II. Oriental. Andante" by Enrique Granados, Alicia de Larrocha was released on 1990. With this song being about 5 minutes long, at 4:41, "Danzas Españolas, Op. 37: II. Oriental. Andante" by Enrique Granados, Alicia de Larrocha is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 42 in Alicia de Larrocha plays Granados by Enrique Granados, Alicia de Larrocha. Danzas Españolas, Op. 37: II. Oriental. Andante is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Danzas Españolas, Op. 37: II. Oriental. Andante by Enrique Granados, Alicia de Larrocha is Larghetto (rather broadly), since this song has a tempo of 62 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gnossiennes: No. 4 | Erik Satie, Pascal Rogé | C Major | 0 | 8B | 71 BPM | ||
Piano Sonata in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Alicia de Larrocha | B♭ Major | 0 | 6B | 73 BPM | ||
Sonata in F Minor, L. 118 | Domenico Scarlatti, Vladimir Horowitz | D Major | 1 | 10B | 146 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Suite española No. 1, Op. 47: Cuba (Capricho) | Isaac Albéniz, Alicia de Larrocha | E♭ Major | 0 | 5B | 66 BPM | ||
Symphony No. 5 in C-Sharp Minor: IV. Adagietto (Arr. for Cello and Harp by Mischa Maisky) | Gustav Mahler, Mischa Maisky, Sophie Hallynck | F Major | 1 | 7B | 86 BPM | ||
Thaïs / Acte Deux: Meditation | Jules Massenet, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 95 BPM | ||
Iberia - Piano (Pub.1906) - Book 1: 3. Fête - Dieu à Seville | Isaac Albéniz, Alicia de Larrocha | F♯ Major | 1 | 2B | 128 BPM | ||
16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | ||
Les Pêcheurs de perles, GB. 4, WD. 13: Je crois entendre encore (Arr. for Cello Octet by Roland Pidoux) | Georges Bizet, Cello8, Raphael Pidoux | A Minor | 1 | 8A | 84 BPM |