Franz Lehár, Carl Michael Ziehrer, Joseph Gungl, Ion Ivanovici, Joseph Lanner, The Philharmonic Promenade Orchestra, Henry Krips's 'Donauwellen' had a release date set for January 1, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wiener Schnitzel by Joseph Gungl, Joseph Lanner, Carl Michael Ziehrer, Franz Lehár, Ion Ivanovici, The Philharmonic Promenade Orchestra, Henry Krips. The song's track number on the album is #3 out of 6 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Donauwellen is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Donauwellen by Franz Lehár, Carl Michael Ziehrer, Joseph Gungl, Ion Ivanovici, Joseph Lanner, The Philharmonic Promenade Orchestra, Henry Krips has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Donauwellen being at 107 テンポ, the half-time would be 54 テンポ with a double-time of 214 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
Gold und Silber op. 79 (Walzer) | Großes Wiener Funkorchester | G Major | 3 | 9B | 147 BPM | ||
Repentir (O Divine Redeemer) | Charles Gounod, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | C Major | 1 | 8B | 176 BPM | ||
Lohengrin / Act 3: "Treulich geführt ziehet dahin" | Richard Wagner, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch | B♭ Major | 1 | 6B | 82 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
La Favorita / Act 4: Spirto gentil, de' sogni miei | Gaetano Donizetti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | C Major | 2 | 8B | 66 BPM | ||
Dorfschwalben aus Osterreich, Op. 164 | Josef Strauss, Wiener Symphoniker, Manfred Honeck | E♭ Major | 1 | 5B | 94 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Louise, Act III: Depuis le jour | Gustave Charpentier, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | G Major | 1 | 9B | 90 BPM | ||
Schön ist die Welt: VII. Szene: Seine Majestät ist also versorgt | Franz Lehár, Franz Lehár Orchester, Marius Burkert, Gerd Vogel, Klára Vincze, Katharina Linhard, Jonathan Hartzendorf | D Minor | 1 | 7A | 73 BPM |