"Repentir (O Divine Redeemer)" by Charles Gounod, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon was released on January 1, 2014. Since Repentir (O Divine Redeemer) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Elina Garanca, Adolphe Adam, Charles Gounod, Georges Bizet, Giacomo Puccini, Giulio Caccini, Gregorio Allegri, Pēteris Vasks, Pietro Mascagni, Ugis Praulins, Vladimir Vavilov, William Gomez, Wolfgang Amadeus Mozart's "Meditation" album is number 2 out of 14. On top of that, Germany appears to be the country where this track was created. The popularity of Repentir (O Divine Redeemer) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Repentir (O Divine Redeemer) by Charles Gounod, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon to be Vivace (lively and fast) because the track has a tempo of 176 テンポ, a half-time of 88テンポ, and a double-time of 352 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
Ave Maria, Op. 52/6, D. 839 | Franz Schubert, Christa Ludwig, Irwin Gage | G Major | 2 | 9B | 177 BPM | ||
Las Hijas del Zebedeo: Carceleras | Ruperto Chapí, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | A Minor | 3 | 8A | 73 BPM | ||
Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
Calme des nuits, Op.68, No.1 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | E Minor | 0 | 9A | 128 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm | E♭ Major | 1 | 5B | 88 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Magnificat: VI. Esurientes | John Rutter, Patricia Forbes, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 71 BPM |