Jacques Offenbach, Francisco Araiza, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate's 'Les Contes d'Hoffmann / Act 5: "Pour le coeur de Phryné"' came out on January 1, 1992. With Les Contes d'Hoffmann / Act 5: "Pour le coeur de Phryné" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 59 in the song's album "Offenbach: Les Contes d'Hoffmann". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Les Contes d'Hoffmann / Act 5: "Pour le coeur de Phryné" is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Les Contes d'Hoffmann / Act 5: "Pour le coeur de Phryné" by Jacques Offenbach, Francisco Araiza, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate having a テンポ of 96 with a half-time of 48 テンポ and a double-time of 192 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata: Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Orchestra | C Major | 4 | 8B | 70 BPM | ||
Grieg: Peer Gynt (Incidental Music), Op. 23, Act 2: No. 8, In the Hall of the Mountain King | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 105 BPM | ||
La Traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 113 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Traumerei am Meeresufer (arr. H. Geese) | Jacques Offenbach, Heinz Geese, Armin Fromm, Cologne West German Radio Orchestra | B♭ Major | 1 | 6B | 82 BPM | ||
Rimsky-Korsakov: The Tale of Tsar Saltan, Act 3: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 1 | 9B | 85 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Joyeuse marche: Marche joyeuse | Emmanuel Chabrier, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 3 | 8B | 121 BPM |