"Traumerei am Meeresufer (arr. H. Geese)" by Jacques Offenbach, Heinz Geese, Armin Fromm, Cologne West German Radio Orchestra was released on January 1, 2002. With this song being about 5 minutes long, at 5:02, "Traumerei am Meeresufer (arr. H. Geese)" by Jacques Offenbach, Heinz Geese, Armin Fromm, Cologne West German Radio Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists, Pinchas Steinberg, Thomas Gabrisch, Helmut Froschauer, Hans Vonk, Emmerich Smola, Friedrich Krell, Heinz Geese, Michail Jurowski, Valerij Rybin, Geoffrey Simon, Kurt Wöss, Sir Neville Marriner, Max Pommer, David Shallon, Jörg Peter Weigle, Bela Banfalvi, Sándor Végh's "Midnight Lounge - Chill Out Classics and Meditation" album is number 12 out of 32. On top of that, Germany appears to be the country where this track was created. Traumerei am Meeresufer (arr. H. Geese) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Traumerei am Meeresufer (arr. H. Geese) by Jacques Offenbach, Heinz Geese, Armin Fromm, Cologne West German Radio Orchestra to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Klid, Op. 68, No. 5, B. 182, "Silent Woods": Klid (Silent Woods), Op. 68, No. 5, B. 182 | Antonín Dvořák, Dmitry Yablonsky, Russian Philharmonic Orchestra | B Minor | 1 | 10A | 82 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
On Hearing The First Cuckoo In Spring | Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras | G Major | 0 | 9B | 109 BPM | ||
From Holberg's Time, Op. 40: IV. Air: Andante religioso | Edvard Grieg, Moscow Soloists, Yuri Bashmet | G Minor | 1 | 6A | 87 BPM | ||
Prelude: The Wispering Valley | Silvia Capova, Slovak Radio Symphony Orchestra, Ronald Binge | G Major | 1 | 9B | 143 BPM | ||
Symphony No. 1 in D Major "Titan": IIIb. A tempo. Ziemlich langsam | Gustav Mahler, Leonard Bernstein, New York Philharmonic | G Minor | 0 | 6A | 169 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 3. Allegretto grazioso - Molto vivace | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | E♭ Major | 2 | 5B | 145 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Ancient Airs And Dances, Suite No.1, [P. 109]: 1. Balletto detto "Il Conte Orlando" | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | D Major | 1 | 10B | 120 BPM |