"Wie Unglücklich Bin Ich Nit Kv 147" by Edith Mathis was released on 1986. With Wie Unglücklich Bin Ich Nit Kv 147 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 2 out of 39 in Edith Mathis: Lieder by Karl Engel. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Wie Unglücklich Bin Ich Nit Kv 147 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Wie Unglücklich Bin Ich Nit Kv 147 by Edith Mathis is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice Wq. 30 - Vienna Version (1762) / Act 2: Ballo (Dance of the Blessed Spirits) | Christoph Willibald Gluck, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | F Major | 1 | 7B | 79 BPM | ||
Preludio Sinfonico for Orchestra, Op.1 | Giacomo Puccini, London Symphony Orchestra, Antonio Pappano | A Major | 0 | 11B | 75 BPM | ||
Thaïs: Méditation | London Philharmonic Orchestra, Pieter Schoeman | D Major | 2 | 10B | 124 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Gelobet sei der Herr, mein Gott, Cantata BWV 129: III. "Gelobet sei der Herr, mein Gott, mein Trost" | Johann Sebastian Bach, Edith Mathis, Münchener Bach-Orchester, Karl Richter | D Major | 1 | 10B | 156 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
Allerseelen | Richard Strauss, Edith Mathis, Gérard Wyss | F♯ Minor | 1 | 11A | 88 BPM | ||
Borodin: String Quartet No. 2 in D Major: III. Notturno (Excerpt) | Alexander Borodin, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM |