Orfeo ed Euridice Wq. 30 - Vienna Version (1762) / Act 2: Ballo (Dance of the Blessed Spirits) - Christoph Willibald Gluck, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti 情報

音響性: 93%
ダンサビリティ: 14%
エネルギー: 5%
手段性: 96%
活気: 19%
ラウドネス: 53%
話し言葉: 5%
価数: 8%
人気: 21%
ラウドネス: -28.341 dB

まとめ

"Orfeo ed Euridice Wq. 30 - Vienna Version (1762) / Act 2: Ballo (Dance of the Blessed Spirits)" by Christoph Willibald Gluck, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti was released on January 1, 1970. Since Orfeo ed Euridice Wq. 30 - Vienna Version (1762) / Act 2: Ballo (Dance of the Blessed Spirits) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Christoph Willibald Gluck, Marilyn Horne, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti's "Gluck: Orfeo ed Euridice" album is number 1 out of 25. Orfeo ed Euridice Wq. 30 - Vienna Version (1762) / Act 2: Ballo (Dance of the Blessed Spirits) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Orfeo ed Euridice Wq. 30 - Vienna Version (1762) / Act 2: Ballo (Dance of the Blessed Spirits) テンポ

We consider the tempo marking of Orfeo ed Euridice Wq. 30 - Vienna Version (1762) / Act 2: Ballo (Dance of the Blessed Spirits) by Christoph Willibald Gluck, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Orfeo ed Euridice Wq. 30 - Vienna Version (1762) / Act 2: Ballo (Dance of the Blessed Spirits) キー

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

おすすめの曲

Track	Artist	Key	Energy	Camelot	BPM
La Source / Act 1: 2. Introduction fantastique	Ludwig Minkus, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge	D Major	1	10B	105 BPM
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo)	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	A Minor	1	8A	79 BPM
Peer Gynt Suite No.2, Op.55: 4. Solveig's song	Edvard Grieg, San Francisco Symphony, Herbert Blomstedt	A Minor	0	8A	85 BPM
Keyboard Sonata in D Minor, K.9/L.413/P.65: Allegro	Domenico Scarlatti, Balazs Szokolay	F Major	1	7B	118 BPM
Trumpet Sonata in D Major, Z. 850: I. Allegro	Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra	E♭ Minor	0	2A	83 BPM
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto	Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit	F Major	0	7B	86 BPM
Peer Gynt Suite, Op. 55, No. 2: Solveigs Lied	Slovak State Philharmonic Orchestra, Christian Ehwald	A Minor	0	8A	123 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser	E♭ Major	1	5B	124 BPM
String Quintet E, Op.13, No.5: 3. Menuetto	Luigi Boccherini, I Musici	A Major	0	11B	83 BPM
Dido and Aeneas, Z. 626: Overture	Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble	B Minor	2	10A	91 BPM

ISRC: This song does not have an ISRC.
レコードレーベル: L-M Records/RCA Records