"Peer Gynt Suite No.2, Op.55: 4. Solveig's song" by Edvard Grieg, San Francisco Symphony, Herbert Blomstedt was released on January 1, 2011. Peer Gynt Suite No.2, Op.55: 4. Solveig's song is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. The track order of this song in Edvard Grieg, Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis, San Francisco Symphony, Herbert Blomstedt's "Grieg: Piano Concerto; Peer Gynt" album is number 8 out of 11. Peer Gynt Suite No.2, Op.55: 4. Solveig's song is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peer Gynt Suite No.2, Op.55: 4. Solveig's song by Edvard Grieg, San Francisco Symphony, Herbert Blomstedt to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delius: On Hearing the First Cuckoo in Spring | Frederick Delius, Andrew Davis, BBC Symphony Orchestra | D♭ Major | 1 | 3B | 66 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 12 in F-Sharp Minor, Op. 30, No. 6, "Venezianisches Gondellied" | Felix Mendelssohn, Jenő Jandó | F♯ Minor | 0 | 11A | 67 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Pelleas et Melisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E♭ Major | 0 | 5B | 116 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Adagio for Strings and Organ in G Minor | Remo Giazotto, Stuttgart Chamber Orchestra, Karl Münchinger | C Minor | 1 | 5A | 66 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 66 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM |