"Lucia di Lammermoor - after Walter Scott - Act 3.: "Oh meschina!"" by Gaetano Donizetti, Renato Cioni, Cesare Siepi, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Sir John Pritchard was released on January 1, 1961. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 36 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Dame Joan Sutherland, Renato Cioni, Robert Merrill, Cesare Siepi, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Sir John Pritchard. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Lucia di Lammermoor - after Walter Scott - Act 3.: "Oh meschina!" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucia di Lammermoor - after Walter Scott - Act 3.: "Oh meschina!" by Gaetano Donizetti, Renato Cioni, Cesare Siepi, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Sir John Pritchard is Andante (at a walking pace), since this song has a tempo of 94 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde, WWV 90, Act II Scene 2: Einsam wachend in der Nacht | Richard Wagner, Janina Baechle, Nina Stemme, Peter Seiffert, Vienna State Opera Orchestra, Franz Welser-Möst | B Major | 1 | 1B | 67 BPM | ||
Roméo et Juliette, Acte II: "L'amour... Ah! Lève-toi, soleil!" | Charles Gounod, Jonas Kaufmann, Bertrand de Billy | F Major | 1 | 7B | 80 BPM | ||
La Bohème / Act I: "Quando Me'n Vò" | Giacomo Puccini, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Minor | 2 | 11A | 135 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 4: Récitatif, "Quand je vous aimerai?" - No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Victoria de los Ángeles, Orchestre National Radiodiffusion Française, Sir Thomas Beecham, Orchestre National de la Radiodiffusion-Television Francaise | D Major | 1 | 10B | 132 BPM | ||
Pique Dame, Op. 68, TH. 10: Akh, istomilas ya gorem | Pyotr Ilyich Tchaikovsky, Anna Netrebko, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | G Minor | 1 | 6A | 79 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Amore e morte | Gaetano Donizetti, Cecilia Bartoli, James Levine | F Minor | 0 | 4A | 81 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM | ||
Die Fledermaus / Act I: Nr. 4 Terzett: "So muss allein ich bleiben" | Johann Strauss II, Julia Varady, Lucia Popp, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 131 BPM | ||
La Bohème / Act 4: "Vecchia zimarra, senti" | Giacomo Puccini, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 1 | 12A | 79 BPM |