Georges Bizet, Victoria de los Ángeles, Orchestre National Radiodiffusion Française, Sir Thomas Beecham, Orchestre National de la Radiodiffusion-Television Francaise's 'Bizet: Carmen, WD 31, Act 1 Scene 4: Récitatif, "Quand je vous aimerai?" - No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus)' came out on 1960. With this song being about 5 minutes long, at 4:35, "Bizet: Carmen, WD 31, Act 1 Scene 4: Récitatif, "Quand je vous aimerai?" - No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus)" by Georges Bizet, Victoria de los Ángeles, Orchestre National Radiodiffusion Française, Sir Thomas Beecham, Orchestre National de la Radiodiffusion-Television Francaise is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 43 in Bizet: Carmen by Georges Bizet, Victoria de los Ángeles. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Bizet: Carmen, WD 31, Act 1 Scene 4: Récitatif, "Quand je vous aimerai?" - No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bizet: Carmen, WD 31, Act 1 Scene 4: Récitatif, "Quand je vous aimerai?" - No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) by Georges Bizet, Victoria de los Ángeles, Orchestre National Radiodiffusion Française, Sir Thomas Beecham, Orchestre National de la Radiodiffusion-Television Francaise is Allegro (fast, quick, and bright), since this song has a tempo of 132 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
Pieces for Small Orchestra, RT vi/19 - On Hearing the First Cuckoo in Spring | Frederick Delius, Royal Philharmonic Orchestra, Sir Thomas Beecham | G Major | 1 | 9B | 75 BPM | ||
Carmen / Act 2: Chanson: "Les tringles des sistres tintaient" | Georges Bizet, Elina Garanca, Cristina Antoaneta Pasaroiu, Giuseppina Bridelli, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | C Major | 1 | 8B | 111 BPM | ||
Les Pêcheurs de Perles, Act I: "Au fond du temple saint" | Georges Bizet, David Hobson, Teddy Tahu Rhodes, Thomas Woods, Sinfonia Australis | E♭ Major | 2 | 5B | 102 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: No. 16, Anitra's Dance | Edvard Grieg, Sir Thomas Beecham, Royal Philharmonic Orchestra | A Major | 2 | 11B | 95 BPM | ||
Verdi: Rigoletto, Act 3: "La donna è mobile" (Duca) | Giuseppe Verdi, Carlo Rizzi, Orchestra of Welsh National Opera, Richard Leech | D Major | 1 | 10B | 131 BPM | ||
Les Pêcheurs de perles, WD 13, Act I: Que vois-je? | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Minor | 1 | 3A | 92 BPM | ||
Carmen (1997 - Remaster), Act II: Vivat! vivat le Toréro! | Georges Bizet, Jacques Mars/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | C Major | 3 | 8B | 114 BPM | ||
La Bohème: Act I: Mi chiamano Mimì | Giacomo Puccini, Montserrat Caballé, Plácido Domingo, Sir Georg Solti, London Philharmonic Orchestra | D Major | 0 | 10B | 169 BPM | ||
Addio del passato - Violetta | Giuseppe Verdi, Anna Netrebko | A Minor | 0 | 8A | 92 BPM |