"La Bohème: Act I: Mi chiamano Mimì" by Giacomo Puccini, Montserrat Caballé, Plácido Domingo, Sir Georg Solti, London Philharmonic Orchestra was released on 1974. With this song being about 5 minutes long, at 4:39, "La Bohème: Act I: Mi chiamano Mimì" by Giacomo Puccini, Montserrat Caballé, Plácido Domingo, Sir Georg Solti, London Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 37 in the song's album "Puccini: La Bohème - The Sony Opera House". In this album, this song's track order is #11. The popularity of La Bohème: Act I: Mi chiamano Mimì is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème: Act I: Mi chiamano Mimì by Giacomo Puccini, Montserrat Caballé, Plácido Domingo, Sir Georg Solti, London Philharmonic Orchestra having a テンポ of 169 with a half-time of 84 テンポ and a double-time of 338 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Pêcheurs de perles, WD 13, Act I: Au fond du temple saint | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Major | 1 | 6B | 101 BPM | ||
I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi che sapete" (Cherubino) | Wolfgang Amadeus Mozart, Daniel Barenboim, Teresa Berganza, English Chamber Orchestra | B Minor | 1 | 10A | 67 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
Le Nozze di Figaro, K. 492: Atto terzo. Scene 9 & 10. N.21 Duettino Susanna, La Contessa "Su l'aria..." | Wolfgang Amadeus Mozart, Concerto Köln, Patrizia Ciofi, René Jacobs, Véronique Gens | B♭ Major | 1 | 6B | 83 BPM | ||
Malinconia, ninfa gentile | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | E Major | 2 | 12B | 94 BPM | ||
Mozart: Le nozze di Figaro, Act 2: "Porgi amor qualche ristoro" (La Contessa) | Wolfgang Amadeus Mozart, Daniel Barenboim, Berliner Philharmoniker, Lella Cuberli | E♭ Major | 1 | 5B | 178 BPM | ||
Puccini: Madama Butterfly, Act 1: "Quale smania vi prende?" (Sharpless, Pinkerton) | Giacomo Puccini, Sir John Barbirolli, Carlo Bergonzi, Rolando Panerai, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Major | 2 | 6B | 64 BPM | ||
Pagliacci: Recitar!...Vesti la giubba (Act I) | Ruggero Leoncavallo, Philharmonia Orchestra, Riccardo Muti, José Carreras | E Major | 2 | 12B | 98 BPM |