Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato's 'Malinconia, ninfa gentile' came out on October 2, 2015. With Malinconia, ninfa gentile being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Treasures Of Bel Canto". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Malinconia, ninfa gentile is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Malinconia, ninfa gentile by Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
The music key of this track is E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Così fan tutte, K. 588 / Act II: "Fra gli amplessi in pochi istanti" | Wolfgang Amadeus Mozart, Miah Persson, Rolando Villazón, Chamber Orchestra of Europe, Yannick Nézet-Séguin | B♭ Major | 0 | 6B | 72 BPM | ||
La Bohème / Act 1: "Che gelida manina" - Live | Giacomo Puccini, Rolando Villazón, Bavarian Radio Symphony Orchestra, Bertrand de Billy | E♭ Major | 2 | 5B | 89 BPM | ||
Bellini: Norma, Act 1: "Ah! si! fa core e abbracciami" (Norma, Adalgisa) | Vincenzo Bellini, Maria Callas, Christa Ludwig, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 2 | 8B | 91 BPM | ||
O cessate di piagarmi | Alessandro Scarlatti, Ramón Vargas | A Minor | 2 | 8A | 84 BPM | ||
Carmen: Act II: Toreador Song: Votre toast, je peux vous le rendre | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | F Minor | 4 | 4A | 115 BPM | ||
Dolente immagine di Fille mia | Vincenzo Bellini, Cecilia Bartoli, James Levine | E Minor | 0 | 9A | 82 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
Giordano : Andrea Chénier : Act 4 "Come un bel dì di maggio" [Andrea Chénier] | Umberto Giordano, José Cura, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 84 BPM | ||
Gianni Schicchi: "O mio babbino caro" | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | A♭ Major | 1 | 4B | 171 BPM |