Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti made "Mystery (Rosary) Sonata No. 7 in F Major, The Scourging at the Pillar: I. Allamanda - Variatio" available on February 17, 2023. The duration of Mystery (Rosary) Sonata No. 7 in F Major, The Scourging at the Pillar: I. Allamanda - Variatio is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Mystery (Rosary) Sonata No. 7 in F Major, The Scourging at the Pillar: I. Allamanda - Variatio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 46 in Biber: Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Mystery (Rosary) Sonata No. 7 in F Major, The Scourging at the Pillar: I. Allamanda - Variatio is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Mystery (Rosary) Sonata No. 7 in F Major, The Scourging at the Pillar: I. Allamanda - Variatio by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti is Andante (at a walking pace), since this song has a tempo of 91 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata Sexta in F Minor for Violin: II. Allegro | Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel | B♭ Minor | 0 | 3A | 135 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo | Johann Gottlieb Goldberg, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Al fragor di lieta tromba, Sinfonia: III. Allegro | Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi | G Minor | 0 | 6A | 117 BPM | ||
Mensa sonora / PARS I (In D Major): 4. Sarabanda | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 0 | 3B | 144 BPM | ||
Sonata Accademica IX, Op.2: Un poco andante et affettuoso | Francesco Maria Veracini, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | F♯ Minor | 3 | 11A | 88 BPM | ||
Bassoon Concerto in C Minor: II. Vivace | Christoph Graupner, Paolo Tognon, Capella Savaria, Pál Németh | B Minor | 1 | 10A | 116 BPM | ||
Airs for the Spring: Ranunculus: I. Aria: Moderato | James Oswald, The Broadside Band | F♯ Minor | 2 | 11A | 85 BPM | ||
Concerto in D Minor; Op. 6 No. 5: IV. Allegro | Charles Avison, Café Zimmermann | D♭ Minor | 4 | 12A | 100 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Psyche, Act II Scene 1: Dance of Priests | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM |