On September 2, 2008, the song "Suite No. 4 in G Major: V. Gavotte" was released by Michael Praetorius, The New York Renaissance Band, Sally Logemann. The duration of Suite No. 4 in G Major: V. Gavotte is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Suite No. 4 in G Major: V. Gavotte's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Praetorius: Terpsichore - Suites Nos. 1-4". In this album, this song's track order is #25. In terms of popularity, Suite No. 4 in G Major: V. Gavotte is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Suite No. 4 in G Major: V. Gavotte by Michael Praetorius, The New York Renaissance Band, Sally Logemann having a テンポ of 112 with a half-time of 56 テンポ and a double-time of 224 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vespro della beata Vergine (1610): Concerto - Duo Seraphim | Claudio Monteverdi, Andrew Parrott, The Taverner Consort, Choir & Players | G Minor | 2 | 6A | 82 BPM | ||
So trinken wir alle | Arnold von Bruck, Ensemble Villanella, Sven Berger | F Major | 3 | 7B | 110 BPM | ||
Suite No. 2 in G Major: VI. Gaillarde | Michael Praetorius, The New York Renaissance Band, Sally Logemann | G Minor | 1 | 6A | 122 BPM | ||
Dos estrellas le seguen. Romance – à 2, 3 & 4 | Manuel Machado, Paul Van Nevel, Huelgas Ensemble | C Major | 1 | 8B | 89 BPM | ||
Suite No. 2 in G Major: III. Bransle de montirande | Michael Praetorius, The New York Renaissance Band, Sally Logemann | G Minor | 2 | 6A | 164 BPM | ||
Tout par compas suy composés | Baude Cordier, Ferrara Ensemble, Crawford Young | E Minor | 0 | 9A | 90 BPM | ||
Première Suytte de Branles d'Escosse | Pierre Attaingnant, The King's Noyse, David Douglass | E♭ Major | 1 | 5B | 98 BPM | ||
Missa Tempore Quadragesimae, MH 553: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 1 | 11B | 128 BPM | ||
Quel augellin che canta | Claudio Monteverdi, Emma Kirkby, Joseph Cornwell, Anthony Rooley, Simon Grant, Andrew King, Evelyn Tubb | G Minor | 0 | 6A | 108 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM |