Simone Perugini, Tuscan Opera Academy Orchestra's 'Gli Orazi e i Curiazi (Paris premiere version, 1800): Overture' came out on March 4, 2021. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 10 in Cimarosa: Opera Overtures, Vol. 4 by Simone Perugini, Tuscan Opera Academy Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Gli Orazi e i Curiazi (Paris premiere version, 1800): Overture is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gli Orazi e i Curiazi (Paris premiere version, 1800): Overture by Simone Perugini, Tuscan Opera Academy Orchestra is Moderato (at a moderate speed), since this song has a tempo of 113 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Misatango, Misa a Buenos Aires: X. Credo in spiritum sanctum | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 3 | 5A | 81 BPM | ||
Missa Popularis: II. Gloria | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | F Major | 2 | 7B | 129 BPM | ||
Te deum, LWV 55: XIV. Miserere nostri Domine, miserere nostri | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Roumanian Folk Dances (Román Népi Táncok): IV: From Bucium (Buceameana) | The Royal Wind Music | E♭ Minor | 0 | 2A | 62 BPM | ||
Tonight We Celebrate | Colwell Snodbury | F Major | 0 | 7B | 81 BPM | ||
Falstaff, Act II Scene 14: Benedetto Quel Bastone | Simone Perugini, Laurie Farrel Smith, July Wason, Irving Hussain, Fête Galante Baroque Orchestre | G Major | 2 | 9B | 130 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM | ||
Fajer: Pompeo magno in Armenia, Act 3: "Grato oblio, soave pace" (Giulia) | Francisco Javier García Fajer, Bruno de Sá, Francesco Corti, Il Pomo D'oro | D Major | 1 | 10B | 124 BPM | ||
Les 7 paroles du Christ: Introduction, “O vos omnes” | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 1 | 7A | 112 BPM | ||
Der Fischer und das Milchmädchen: XVI. Andante agitato | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM |