"Roumanian Folk Dances (Román Népi Táncok): IV: From Bucium (Buceameana)" by The Royal Wind Music was released on December 16, 2012. The duration of Roumanian Folk Dances (Román Népi Táncok): IV: From Bucium (Buceameana) is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Roumanian Folk Dances (Román Népi Táncok): IV: From Bucium (Buceameana)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 30 out of 33 in En Er Mundo by The Royal Wind Music. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Roumanian Folk Dances (Román Népi Táncok): IV: From Bucium (Buceameana) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Roumanian Folk Dances (Román Népi Táncok): IV: From Bucium (Buceameana) by The Royal Wind Music is Larghetto (rather broadly), since this song has a tempo of 62 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento in F for String Ensemble, K.138: ii. Andante | Mozart, English Chamber Orchestra, David Blum | E♭ Major | 0 | 5B | 138 BPM | ||
Tristis Est Anima Mea | The Royal Wind Music | F♯ Major | 1 | 2B | 74 BPM | ||
6 Sonates meleese de pieces, Op. 2: III. Sonata in E Minor, "La Dherouville”: II. Allemanda. Andante | Michel Blavet, Claudio Ferrarini, Accademia Farnese | A Minor | 0 | 8A | 129 BPM | ||
Lambs Are Sleeping | Traditional, Neurological Waves Science | G Major | 0 | 9B | 112 BPM | ||
Sinfonia in E Major: II. Vivace | Johan Helmich Roman, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Concerto a due cori No. 3, HWV 334: V. Allegro | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 4 | 6B | 122 BPM | ||
M. Buctons Galliard | John Dowland, The Royal Wind Music, Paul Leenhouts | B♭ Minor | 0 | 3A | 109 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 5 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 1 | 12B | 105 BPM | ||
Sonate e Partite: No. 46, Presto | Francesco Lecce, Claudio Ferrarini | C Major | 2 | 8B | 67 BPM | ||
Sinfonia concertante in E-Flat Major, W. C41: II. Larghetto | Johann Christian Bach, Andras Horn, Nandor Gotz, Jeno Kevehazi, Lehel Ronai, Aladar Tuske, Budapest Strings, Karoly Botvay | C Major | 1 | 8B | 135 BPM |