Bartolomé de Selma y Salaverde, Galatea, Paul Beier's 'Canzoni fantasie et correnti da suonar: Vestiva i Colli da Giovanni Pierluigi da Palestrina' came out on October 30, 2009. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 15 in Con gratia et maniera by Paul Beier. Based on our statistics, Canzoni fantasie et correnti da suonar: Vestiva i Colli da Giovanni Pierluigi da Palestrina's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Canzoni fantasie et correnti da suonar: Vestiva i Colli da Giovanni Pierluigi da Palestrina by Bartolomé de Selma y Salaverde, Galatea, Paul Beier is Allegro (fast, quick, and bright), since this song has a tempo of 140 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzon terza Soprano e Basso | Bartolomé de Selma y Salaverde, Susanne Ehrhardt, Christian Beuse, Angelika Oertel, Klaus Eichhorn | D♭ Major | 0 | 3B | 112 BPM | ||
L'amant content: Canarie | Francesca Torelli, Charles Mouton | F♯ Minor | 0 | 11A | 109 BPM | ||
Sonata for Recorder and Continuo in D Minor: III. Allegro | James Paisible, Tamar Lalo, La Ritirata, Josetxu Obregon | C Major | 4 | 8B | 95 BPM | ||
Canzon prima Canto e Basso | Bartolomé de Selma y Salaverde, Susanne Ehrhardt, Angelika Oertel, Christian Beuse, Klaus Eichhorn | D Minor | 2 | 7A | 150 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 3: II. Andante, sempre Piano | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
[Suite en ré majeur]: II. Allemande la Flateuse (No. 48) | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 1 | 3B | 78 BPM | ||
12 Sonatas, Opera XVI, Op. 16 No. 1 (Excerpts): II. Largo | Isabella Leonarda, Emanuele Breda, Barbara Mauch-Heinke, Daniela Wartenberg, Toshinori Ozaki, Sofya Gandilyan | A Minor | 2 | 8A | 127 BPM | ||
Erbarm dich mein, o Herre Gott, SWV 447 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Yetzabel Arias | G Minor | 2 | 6A | 117 BPM | ||
Baryton Trio in A Major, Hob. XI:71: III. Finale. Allegro di molto | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM | ||
Affetti musicali, Op. 1: No. 28, La Vetrestain | Biagio Marini, Marino Lagomarsino, Marco Vitali, Massimo Lonardi | A♭ Major | 10 | 4B | 90 BPM |