Biagio Marini, Marino Lagomarsino, Marco Vitali, Massimo Lonardi's 'Affetti musicali, Op. 1: No. 28, La Vetrestain' came out on January 1, 1994. With Affetti musicali, Op. 1: No. 28, La Vetrestain being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Biagio Marini, Massimo Lonardi, Conserto Vago's "Marini: Affetti Musicali" album is number 28 out of 28. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Affetti musicali, Op. 1: No. 28, La Vetrestain is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Affetti musicali, Op. 1: No. 28, La Vetrestain by Biagio Marini, Marino Lagomarsino, Marco Vitali, Massimo Lonardi to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Little Consort in Two Parts for Severall Friends in C minor-major: IV. Courante | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": III. Adagio | Johann Gottlieb Janitsch, Il Gardellino | E Major | 1 | 12B | 101 BPM | ||
Sinfonia per violoncello in G Minor: II. Allegro | Giovanni Bononcini, Marco Ceccato, Accademia Ottoboni | A♭ Minor | 1 | 1A | 73 BPM | ||
Amantissime Jesu (Sinfonia) | Pascuale Carrozza, Cappella Mediterranea, Leonardo García-Alarcón | B♭ Minor | 0 | 3A | 110 BPM | ||
O Jove, from stately throne | Richard Farrant, Catherine King, The Rose Consort Of Viols | D♭ Minor | 0 | 12A | 78 BPM | ||
Preludio Décimo | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Minor | 1 | 11A | 108 BPM | ||
Mensa sonora / PARS I (In D Major): 1. Sonata. Grave - Allegro | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 139 BPM | ||
Henry Purcell: Two in one upon a Ground | Charivari Agréable | A♭ Minor | 1 | 1A | 77 BPM | ||
Sonate concertate in stil moderno à 2 e 3 voci, Libro primo: Sonata seconda (Arr. Recorder & Lute) | Dario Castello, Lucie Horsch, Thomas Dunford | D♭ Minor | 1 | 12A | 67 BPM | ||
Gagliarda 12a | Giovanni Girolamo Kapsberger, Bor Zuljan | B♭ Minor | 1 | 3A | 75 BPM |