"Erbarm dich mein, o Herre Gott, SWV 447" by Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Yetzabel Arias was released on March 8, 2024. With this song being about 5 minutes long, at 4:32, "Erbarm dich mein, o Herre Gott, SWV 447" by Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Yetzabel Arias is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 13 in Da Pacem by Heinrich Schütz, Ricercar Consort, Philippe Pierlot. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Erbarm dich mein, o Herre Gott, SWV 447 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Erbarm dich mein, o Herre Gott, SWV 447 by Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Yetzabel Arias is Moderato (at a moderate speed), since this song has a tempo of 117 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Quarti Toni: Agnus Dei | Vincenzo Ruffo, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 132 BPM | ||
Psalmen Davids, Op. 2: No. 1, Der Herr sprach zu meinem Herren, SWV 22 "Psalm 110" | Heinrich Schütz, Dorothee Mields, Marie Luise Werneburg, David Erler, Tobias Mathger, Cenek Svoboda, Georg Poplutz, Felix Rumpf, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | A♭ Minor | 0 | 1A | 101 BPM | ||
Jesu, meine Freude, BuxWV 60: VI. Gute Nacht, ihr Sünden | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Caroline Weynants, Ensemble Masques, Olivier Fortin | E Minor | 0 | 9A | 125 BPM | ||
Der Herr ist mit mir, darum fürchte ich mich nicht, BuxWV 15 | Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hanna Kopra, Immo Schroder, Benoît Giaux | C Minor | 1 | 5A | 140 BPM | ||
Magi veniunt ab oriente: I. Magi veniunt ab oriente | Jacob Clemens non Papa, Owain Park, The Gesualdo Six | F♯ Major | 1 | 2B | 80 BPM | ||
Jesu, meines Lebens Leben in D Minor, BuxWV 62: I. Sinfonia | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | D Minor | 1 | 7A | 126 BPM | ||
Missa ex B: XXII. Sanctus - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | F Major | 2 | 7B | 149 BPM | ||
Membra Jesu Nostri, BuxWV 75: I. Ad pedes. Ecce super montes | Dietrich Buxtehude, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 1 | 4B | 97 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: IV. Variation IV | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Johannes-Passion, SWV 481: VIII. Beschluss | Heinrich Schütz, Kammerchor der Essener Domsingknaben, Harald Martini | B♭ Minor | 2 | 3A | 84 BPM |