"O vos omnes, qui transitis per viam" by Tomás Luis de Victoria, The Cambridge Singers, John Rutter had its release date on March 1, 2009. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "The Sacred Flame". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. O vos omnes, qui transitis per viam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With O vos omnes, qui transitis per viam by Tomás Luis de Victoria, The Cambridge Singers, John Rutter having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Crucifixus (8vv) | Antonio Lotti, Choir of St. John's College, Cambridge, London Philharmonic Orchestra, George Guest | C Minor | 2 | 5A | 86 BPM | ||
Vidi Aquam | The Concordia Choir | A♭ Minor | 0 | 1A | 81 BPM | ||
Beati mortui | Dominican House of Studies | D♭ Major | 2 | 3B | 87 BPM | ||
Victoria: Requiem (Missa pro defunctis) - 01. Introitus - Requiem aeternam | Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 169 BPM | ||
Requiem Mass, 1605: Sanctus and Benedictus | Tomás Luis de Victoria, Tenebrae, Nigel Short | D Major | 2 | 10B | 123 BPM | ||
Blessed be the God and Father | Samuel Wesley, Choir of Clare College, Cambridge, Matthew Jorysz, Graham Ross | E♭ Major | 1 | 5B | 126 BPM | ||
A Hymn to the Virgin | Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping | E Major | 0 | 12B | 81 BPM | ||
Sicut cervus | Giovanni Pierluigi da Palestrina, Choir of St. Ignatius Loyola, Kent Tritle | A♭ Major | 1 | 4B | 79 BPM | ||
April is in my mistress' face | Thomas Morley, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM |