"Blessed be the God and Father" by Samuel Wesley, Choir of Clare College, Cambridge, Matthew Jorysz, Graham Ross had its release date on March 4, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Choir of Clare College, Cambridge, Graham Ross's "Haec dies: Music for Easter" album is number 18 out of 21. Based on our statistics, Blessed be the God and Father's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Blessed be the God and Father by Samuel Wesley, Choir of Clare College, Cambridge, Matthew Jorysz, Graham Ross to be Allegro (fast, quick, and bright) because the track has a tempo of 126 テンポ, a half-time of 63テンポ, and a double-time of 252 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lord, How Long Wilt Thou Be Angry | Timothy Brown, Jonathan Brown, Choir of Clare College, Cambridge, Andrew Manze, Tim Handley, Marshall Marcus, Nicholas Parker, William Carter, Jenny Ward - Clarke, Jan Schlapp, Liz Kenny, Henry Purcell | A Minor | 1 | 8A | 132 BPM | ||
Here is the little door | Howard Howells, Choir of Clare College, Cambridge, Graham Ross | A Minor | 1 | 8A | 69 BPM | ||
Ubi caritas | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | F♯ Minor | 0 | 11A | 78 BPM | ||
Liturgy of St. John Chrysostom, Op. 41, TH 75 (Concert Version): No. 2, Glory Be to the Father | Pyotr Ilyich Tchaikovsky, Karlis Rutentals, Gundars Dziļums, Latvian Radio Choir, Sigvards Kļava | B♭ Major | 3 | 6B | 82 BPM | ||
Tallis: O Lord, Give Thy Holy Spirit | The Tallis Scholars, Peter Phillips | B♭ Minor | 1 | 3A | 80 BPM | ||
Deutsche Messe, D. 872: VIII. Schlussgesang. Nicht zu langsam | Franz Schubert, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | N/A | N/A | N/A | 0 BPM | ||
Atalanta, HWV 35, Act I: Care selve | George Frideric Handel, Pretty Yende, Coronation Orchestra, Antonio Pappano, Matthew Jorysz | A Major | 2 | 11B | 119 BPM | ||
Wie schön leuchtet der Morgenstern, BWV 436 | Johann Sebastian Bach, Choir of Clare College, Cambridge, Graham Ross | E Major | 1 | 12B | 82 BPM | ||
Funeral Sentences For Queen Mary: Funeral March | Timothy Brown, Marshall Marcus, Baroque Brass Of London, Jan Schlapp, Mark Bennet, Ron Bryans, Andrew Manze, Robert Howes, Jenny Ward-Clarke, Nicholas Parker, Tim Handley, Crispian Steele-Perkins, William Carter, Choir of Clare College, Cambridge, Liz Kenny, Jonathan Brown, Henry Purcell, Keri Dexter, Micheal Laird, Tim Handley, Nicholas Parker | C Minor | 1 | 5A | 178 BPM | ||
Magnificat in F Major (1) | George Dyson, Hereford Cathedral Choir, Huw Williams, Roy Massey | G Major | 2 | 9B | 169 BPM |