Camille Saint-Saëns, Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth's 'Introduction et Rondo Capriccioso, Op.28' came out on January 1, 2003. Since Introduction et Rondo Capriccioso, Op.28 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth's "Janine Jansen" album is number 4 out of 8. In terms of popularity, Introduction et Rondo Capriccioso, Op.28 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Introduction et Rondo Capriccioso, Op.28 by Camille Saint-Saëns, Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth to be Andante (at a walking pace) because the track has a tempo of 93 テンポ, a half-time of 46テンポ, and a double-time of 186 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
Prélude, fugue et variation pour piano & harmonium: I. Prélude - (Version c.1865) | César Franck, Bertrand Chamayou | G Major | 0 | 9B | 105 BPM | ||
Bach, CPE: Flute Concerto in D Minor: I. Allegro (After Harpsichord Concerto, Wq. 22) | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | D Minor | 2 | 7A | 96 BPM | ||
Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | D♭ Minor | 2 | 12A | 117 BPM | ||
Violin Concerto No.2 in G minor, Op.63: 3. Allegro, ben marcato | Sergei Prokofiev, Janine Jansen, London Philharmonic Orchestra, Vladimir Jurowski | F Major | 2 | 7B | 157 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 102 BPM | ||
Saint-Saens: The Carnival of the Animals - A zoological fantasy: Introduction and Royal March of the Lion | Camille Saint-Saëns, John Ogdon, Louis Frémaux, City Of Birmingham Symphony Orchestra | G Major | 3 | 9B | 184 BPM | ||
Lieder ohne Worte, Op. 67: No. 2 Allegro leggiero (Arr. Ottensamer for Clarinet and Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | F♯ Minor | 0 | 11A | 75 BPM |