Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam made "Bach, CPE: Flute Concerto in D Minor: I. Allegro (After Harpsichord Concerto, Wq. 22)" available on November 4, 2016. Since Bach, CPE: Flute Concerto in D Minor: I. Allegro (After Harpsichord Concerto, Wq. 22) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 9 in Bach, C.P.E.: Flute Concertos by Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bach, CPE: Flute Concerto in D Minor: I. Allegro (After Harpsichord Concerto, Wq. 22) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bach, CPE: Flute Concerto in D Minor: I. Allegro (After Harpsichord Concerto, Wq. 22) by Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam is Andante (at a walking pace), since this song has a tempo of 96 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, P. 77: "Stabat Mater dolorosa" | Giovanni Battista Pergolesi, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs, Adrien La Marca | F Minor | 2 | 4A | 100 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Kalev Kuljus, Lithuanian Chamber Orchestra | D Minor | 1 | 7A | 76 BPM | ||
Bach, CPE: Flute Concerto in A Minor, Wq 166, H430: III. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | C Major | 1 | 8B | 82 BPM | ||
Concertino for Horn and Orchestra in E minor, Op. 45: Polacca | Carl Maria von Weber, Hermann Baumann, Gewandhausorchester, Kurt Masur | E Major | 1 | 12B | 104 BPM | ||
Oboe Concerto in C Major: II. Allegro (Arr. by Benjamin) | Domenico Cimarosa, Heinz Holliger, Bamberg Symphony, Peter Maag | G Major | 2 | 9B | 108 BPM | ||
Suite for Flute and Piano Op. 34 No 1: II Scherzo | Charles-Marie Widor, Emmanuel Pahud, Eric Le Sage | C Major | 1 | 8B | 139 BPM | ||
Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, David Fray, Audrey Vigoureux, Emmanuel Christien, Jacques Rouvier, Orchestre National Du Capitole De Toulouse | A Minor | 3 | 8A | 108 BPM | ||
Bartók / Arr. Levering for Flute and Guitar: 6 Romanian Folk Dances, Sz. 56: No. 1, Jocul cu bâtă | Béla Bartók, Emmanuel Pahud, Christian Rivet | E Minor | 1 | 9A | 170 BPM | ||
Concerto for Three Violins and Strings in D Major, BWV 1064: III. Allegro | Johann Sebastian Bach, Simon Standage, Collegium Musicum 90, Micaela Comberti, Miles Golding | D Major | 2 | 10B | 107 BPM | ||
Concerto for Violin and Orchestra in D Major, Op. 35, TH 59: III. Finale. Allegro vivacissimo | Pyotr Ilyich Tchaikovsky, Lisa Batiashvili, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 76 BPM |