Niels Gade, Poul Elming, Inger Dam-Jensen, Radio Chorus, Swedish Radio Symphony Orchestra, Michael Schønwandt's 'Liden Kirsten (Little Christine), Op. 44 (excerpts): Sverkels romance' came out on July 1, 2007. The duration of Liden Kirsten (Little Christine), Op. 44 (excerpts): Sverkels romance is about 3 minutes long, at 3:03. Based on our data, "Liden Kirsten (Little Christine), Op. 44 (excerpts): Sverkels romance" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 23 in Der Er Et Yndigt Land by Michael Schønwandt. Liden Kirsten (Little Christine), Op. 44 (excerpts): Sverkels romance is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Liden Kirsten (Little Christine), Op. 44 (excerpts): Sverkels romance by Niels Gade, Poul Elming, Inger Dam-Jensen, Radio Chorus, Swedish Radio Symphony Orchestra, Michael Schønwandt is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Bassoon and Piano in G Major, Op. 168: I. Allegro moderato | Camille Saint-Saëns, Sophie Dervaux, Sélim Mazari | G Major | 0 | 9B | 60 BPM | ||
Variations on a Nursery Song, Op. 25: Theme: Allegro | Ernst von Dohnányi, Eldar Nebolsin, Buffalo Philharmonic Orchestra, Joann Falletta | D Minor | 0 | 7A | 131 BPM | ||
Glory | Alejandro Llovet Abascal | D Major | 3 | 10B | 96 BPM | ||
Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.2: Nocturne | Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | E♭ Major | 1 | 5B | 93 BPM | ||
Suite for Viola & Orchestra, Group 1: II. Carol. Andante con moto | Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne | C Major | 0 | 8B | 84 BPM | ||
Andante con moto in D Minor | Niels Gade, Olivier Vernet | A♭ Major | 2 | 4B | 84 BPM | ||
Mathis der Maler Symphony: I. Engelkonzert | Paul Hindemith, Orchestra della Svizzera Italiana, Markus Poschner | D Major | 1 | 10B | 106 BPM | ||
Napoli: Act III: Finale: Galop | Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen | E Major | 2 | 12B | 137 BPM | ||
Numero de avogadro | Juan Pablo Fernández Ramos | A Minor | 1 | 8A | 99 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | C Major | 3 | 8B | 106 BPM |