"Mathis der Maler Symphony: I. Engelkonzert" by Paul Hindemith, Orchestra della Svizzera Italiana, Markus Poschner was released on June 14, 2024. Since Mathis der Maler Symphony: I. Engelkonzert is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Paul Hindemith – Alfred Schnittke". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Mathis der Maler Symphony: I. Engelkonzert is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mathis der Maler Symphony: I. Engelkonzert by Paul Hindemith, Orchestra della Svizzera Italiana, Markus Poschner having a テンポ of 106 with a half-time of 53 テンポ and a double-time of 212 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Numero de avogadro | Juan Pablo Fernández Ramos | A Minor | 1 | 8A | 99 BPM | ||
6 Pastoral Dances, Op. 40: No. 2. Waltz | Arnold Rosner, London Philharmonic Orchestra, David Amos | A Minor | 0 | 8A | 178 BPM | ||
Images For Orchestra, L. 122: 1. Gigues | Claude Debussy, Orchestre de la Suisse Romande, Ernest Ansermet | D♭ Major | 1 | 3B | 112 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: III. Allegro maestoso I | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 2 | 5B | 127 BPM | ||
Symphony No. 9 in D Major: I. Andante comodo: No. 3, Plötzlich sehr mäßig und zurückhaltend | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
Petite Suite, L. 65 (Arr. for Chamber Ensemble by Shuhei Isobe): I. En bateau | Claude Debussy, Tokyo Sextet | G Minor | 1 | 6A | 73 BPM | ||
Kammermusik Nr.2: Sehr langsame Achtel - Etwa doppelt so schnell - Im ersten Zeitmass (doffelt so langsam) | Paul Hindemith, Lars Vogt, Claudio Abbado, Berliner Philharmoniker | D♭ Minor | 1 | 12A | 97 BPM | ||
Symphony No. 2: I. Sostenuto - Allegro molto | Kurt Weill, Konzerthausorchester Berlin, Joana Mallwitz | F Minor | 2 | 4A | 169 BPM | ||
Renaissance Concerto: IV. Jouissance | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
Messe de Requiem, Op. 54: IV. Oro supplex | Camille Saint-Saëns, Diego Fasolis, Orchestra della Svizzera Italiana, Marie-Paule Dotti, Guillemette Laurens, Luca Lombardo, Nicolas Teste, Francesco Cera, Radio Svizzera Choir | B Minor | 8 | 10A | 141 BPM |