Ernst von Dohnányi, Eldar Nebolsin, Buffalo Philharmonic Orchestra, Joann Falletta's 'Variations on a Nursery Song, Op. 25: Theme: Allegro' came out on May 25, 2010. With Variations on a Nursery Song, Op. 25: Theme: Allegro being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 7 out of 29 in Dohnanyi: Variations on a Nursery Song by Ernst von Dohnányi, Joann Falletta. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Variations on a Nursery Song, Op. 25: Theme: Allegro's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Variations on a Nursery Song, Op. 25: Theme: Allegro by Ernst von Dohnányi, Eldar Nebolsin, Buffalo Philharmonic Orchestra, Joann Falletta is Allegro (fast, quick, and bright), since this song has a tempo of 131 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Landler (Tirolese) - Duo-Art 6110 | Giovanni Sgambati, Peter Phillips, Winifred Byrd | E♭ Major | 2 | 5B | 71 BPM | ||
Waltz for Piano from Delibes' "Coppelia" | Ernst von Dohnányi, David Kadouch | E Major | 2 | 12B | 118 BPM | ||
Ruralia Hungarica Op. 32c: Andante rubato alla zingaresca | Ernst von Dohnányi, Philippe Graffin, Claire Désert | G Minor | 1 | 6A | 168 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (2) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Julie, S. 1: Finale | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D♭ Major | 1 | 3B | 102 BPM | ||
Fontane di Roma, P. 106: IV. La fontana di Villa Medici al tramonto | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D Minor | 0 | 7A | 88 BPM | ||
Les Indes galantes: Menuets I & II (Arr. for Piano) | Jean-Philippe Rameau, Jorge Federico Osorio | G Major | 0 | 9B | 77 BPM | ||
20 Piezas fáciles: No. 9, Las mañanitas | Manuel Ponce, Alvaro Cendoya | A Major | 5 | 11B | 156 BPM | ||
String Quartet No. 3 in A Major, Op. 41 No. 3: IV. Finale. Allegro molto vivace | Robert Schumann, Quatuor Hanson | E♭ Major | 4 | 5B | 109 BPM | ||
Black, Brown and Beige (arr. M. Peress for orchestra): Black | Duke Ellington, Maurice Peress, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Major | 1 | 3B | 83 BPM |