"Petrushka, K12 (1947 Version): IVb. Dance of the Wet-Nurses" by Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä was released on March 8, 2024. The duration of Petrushka, K12 (1947 Version): IVb. Dance of the Wet-Nurses is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Petrushka, K12 (1947 Version): IVb. Dance of the Wet-Nurses's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Stravinsky: Petrushka; Debussy: Jeux, Prélude". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. The popularity of Petrushka, K12 (1947 Version): IVb. Dance of the Wet-Nurses is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Petrushka, K12 (1947 Version): IVb. Dance of the Wet-Nurses by Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä having a テンポ of 173 with a half-time of 86 テンポ and a double-time of 346 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in E-Flat Major, Op. 63: III. Rondo (Presto) | Edward Elgar, Hallé, Sir Mark Elder | D Major | 1 | 10B | 134 BPM | ||
Fantasia for Cello & Orchestra, W454: I. Largo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM | ||
Messiaen: Éclairs sur l'au-delà...: VI. Les sept anges aux sept trompettes | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | A Major | 0 | 11B | 84 BPM | ||
Circus Polka (arr. S. Dushkin for violin and piano) | Samuel Dushkin, Igor Stravinsky, Matthew Trusler, Martin Roscoe | A♭ Minor | 2 | 1A | 97 BPM | ||
La Jolie Fille de Perth (1993 Digital Remaster): Sérénade | Georges Bizet, Orchestre de Paris & Daniel Barenboim, Daniel Barenboim, Brad Smith, Orchestre de Paris | C Major | 3 | 8B | 94 BPM | ||
Dance Symphony: II. Dance of the Girl Who Moves as if in a Dream: Andante moderato | Aaron Copland, Bournemouth Symphony Orchestra, Marin Alsop | G Major | 0 | 9B | 136 BPM | ||
Le sacre du printemps / Pt. 2: Le sacrifice: XI. Glorification d'élue | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | C Minor | 2 | 5A | 89 BPM | ||
Alchymia: II. The Woods So Wild | Thomas Adès, Mark Simpson, Quatuor Diotima | C Major | 1 | 8B | 78 BPM | ||
Flute Concerto in D Major, Op. 283: I. Allegro molto moderato | Carl Reinecke, Sébastian Jacot, Odense Symfoniorkester, David Björkman | D Major | 1 | 10B | 172 BPM | ||
Prometheus: II. According to the Second... | Geoffrey Gordon, Martyn Brabbins, Laurent Ben Slimane, Philharmonia Orchestra | A Major | 1 | 11B | 81 BPM |