"Prometheus: II. According to the Second..." by Geoffrey Gordon, Martyn Brabbins, Laurent Ben Slimane, Philharmonia Orchestra was released on May 17, 2024. With this song being about 5 minutes long, at 4:55, "Prometheus: II. According to the Second..." by Geoffrey Gordon, Martyn Brabbins, Laurent Ben Slimane, Philharmonia Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Geoffrey Gordon, BBC Scottish Symphony Orchestra, Philharmonia Orchestra, Martyn Brabbins, Laurent Ben Slimane's "Mythologies & Mad Songs" album is number 7 out of 9. On top of that, United Kingdom appears to be the country where this track was created. Prometheus: II. According to the Second... is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Prometheus: II. According to the Second... by Geoffrey Gordon, Martyn Brabbins, Laurent Ben Slimane, Philharmonia Orchestra to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Revolución diamantina, Act III: Borders and bodies | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale | D Minor | 1 | 7A | 74 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM | ||
Estancia, Op. 8: Scene 5, El Amanecer - Escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | B♭ Major | 1 | 6B | 140 BPM | ||
Songs of Separation: II. Burning Hell | Carlos Simon, Gianandrea Noseda, J'nai Bridges, National Symphony Orchestra, Kennedy Center | A♭ Major | 3 | 4B | 87 BPM | ||
Music of the Spheres, BVN 128: IV. Like the Refraction of Sunbeams in the Waves | Rued Langgaard, Danish National Symphony Orchestra, Thomas Dausgaard | D Major | 2 | 10B | 168 BPM | ||
Bartók: Romanian Folk Dances, Sz. 56: No. 3, In One Spot (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
Si Yeou Ki, Pt. 1: II. La délivrance de Souen Wou K'ong | Laurent Petitgirard, Hungarian Symphony Orchestra Budapest | E Minor | 0 | 9A | 103 BPM | ||
Depths of a Stranger | Dany Safari | D Major | 1 | 10B | 79 BPM | ||
The Ghost of Frankenstein (arr. J. Morgan): A New Brain | Hans J. Salter, John Morgan, Slovak Radio Symphony Orchestra, William Stromberg | D♭ Major | 0 | 3B | 0 BPM | ||
Sinfonia da Requiem, Op. 20: II. Dies irae. Allegro con fuoco - Alla marcia | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | D Major | 2 | 10B | 148 BPM |