"Prometheus: II. According to the Second..." by Geoffrey Gordon, Martyn Brabbins, Laurent Ben Slimane, Philharmonia Orchestra was released on May 17, 2024. With this song being about 5 minutes long, at 4:55, "Prometheus: II. According to the Second..." by Geoffrey Gordon, Martyn Brabbins, Laurent Ben Slimane, Philharmonia Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Geoffrey Gordon, BBC Scottish Symphony Orchestra, Philharmonia Orchestra, Martyn Brabbins, Laurent Ben Slimane's "Mythologies & Mad Songs" album is number 7 out of 9. On top of that, United Kingdom appears to be the country where this track was created. Prometheus: II. According to the Second... is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Prometheus: II. According to the Second... by Geoffrey Gordon, Martyn Brabbins, Laurent Ben Slimane, Philharmonia Orchestra to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Cello and Orchestra: II. Allegro appassionato | William Walton, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | G Minor | 0 | 6A | 103 BPM | ||
Sinfonia dos orixás: II. Manifestação dos orixás: No. 3, Oxalá I: O canto da luz | Almeida Prado, Orquestra Sinfônica Do Estado De São Paulo, Neil Thomson | G Minor | 0 | 6A | 76 BPM | ||
Ellipsis | Dani Howard, Royal Liverpool Philharmonic Orchestra, Pablo Urbina | E Major | 1 | 12B | 147 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: V. The Song of the Grave | Richard Strauss, Wolfgang Sawallisch, Philadelphia Orchestra | F♯ Minor | 1 | 11A | 61 BPM | ||
Ravi | Sanseti Sabaru | D Minor | 0 | 7A | 151 BPM | ||
Turangalîla-Symphony: V. Joie du sang des étoiles. Vif, passionné, avec joie | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | D♭ Major | 5 | 3B | 85 BPM | ||
Chin-chin (Arr. for Violin & String Orchestra by Ken Selden) | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
Mandrake in the Corner: III Vivace III | Christian Lindberg, Alexandru Moraru, National Radio Orchestra of Romania | B♭ Major | 8 | 6B | 78 BPM | ||
Holocaust - In memoriam: II. To Victory | Maya Badian, Romanian National Orchestra, Ludovic Bacs | B Major | 3 | 1B | 110 BPM | ||
Lindberg: Fake News: Reflective Sorrow | Per Egland, Christian Lindberg, Nuremberg Symphony Orchestra | A Major | 0 | 11B | 99 BPM |