"Le sacre du printemps / Pt. 2: Le sacrifice: XI. Glorification d'élue" by Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä was released on March 24, 2023. With Le sacre du printemps / Pt. 2: Le sacrifice: XI. Glorification d'élue being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Stravinsky: The Rite of Spring & The Firebird". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Le sacre du printemps / Pt. 2: Le sacrifice: XI. Glorification d'élue is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le sacre du printemps / Pt. 2: Le sacrifice: XI. Glorification d'élue by Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Young Person's Guide to the Orchestra, Op. 34: II. Variations A-D, Woodwinds. Presto - Lento - Moderato - Allegro alla marcia | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | C Major | 0 | 8B | 66 BPM | ||
Hary Janos Suite: Háry János Suite: III. Song | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | G Major | 0 | 9B | 72 BPM | ||
Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 102 BPM | ||
Alpensymphonie, Op.64: Ausklang | Richard Strauss, Staatskapelle Dresden, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 142 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
The Soldier's Tale: Part 2: The Devil's Dance | Igor Stravinsky, Michael Henry Flanders, Kitty Black, Jeremy Irons, Robert Craft | G Major | 3 | 9B | 133 BPM | ||
Satie / Orch. Milhaud: Jack-in-the-Box: No. 3, Final | Erik Satie, John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | G Minor | 0 | 6A | 170 BPM | ||
Carmen Suite No. 2: 4. La garde montante | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 1 | 7A | 124 BPM | ||
Hamnöy 1976 V | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM |