"Daphnis et Chloé, Part II: Bryaxis ordonne...Danse suppliante de Chloé" by Sir Simon Rattle, City Of Birmingham Symphony Orchestra, CBSO Chorus, Simon Halsey was released on 1992. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Ravel: Daphnis et Chloé - Boléro". In this album, this song's track order is #9. In terms of popularity, Daphnis et Chloé, Part II: Bryaxis ordonne...Danse suppliante de Chloé is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Daphnis et Chloé, Part II: Bryaxis ordonne...Danse suppliante de Chloé by Sir Simon Rattle, City Of Birmingham Symphony Orchestra, CBSO Chorus, Simon Halsey having a テンポ of 96 with a half-time of 48 テンポ and a double-time of 192 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gershwin: Porgy and Bess, Act 1: "Summertime" (Clara, Girls of Chorus) | George Gershwin, Glyndebourne Chorus, Sir Simon Rattle, London Philharmonic Orchestra | F♯ Minor | 1 | 11A | 90 BPM | ||
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 79 BPM | ||
Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Evening Songs, Op. 3: No. 2, Mně zdálo se | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | G Major | 1 | 9B | 86 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | G Minor | 6 | 6A | 149 BPM | ||
Beethoven: Symphony No. 1 in C Major, Op. 21: III. Menuetto. Allegro molto e vivace | Ludwig van Beethoven, Sir Simon Rattle, Wiener Philharmoniker | C Major | 2 | 8B | 114 BPM |