"Evening Songs, Op. 3: No. 2, Mně zdálo se" by Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle was released on May 17, 2024. With this song being about 5 minutes long, at 4:30, "Evening Songs, Op. 3: No. 2, Mně zdálo se" by Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Dvořák: Mně zdálo se and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Evening Songs, Op. 3: No. 2, Mně zdálo se is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Evening Songs, Op. 3: No. 2, Mně zdálo se by Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Gesänge, Op. 3: No. 2, Liebe und Frühling I | Johannes Brahms, Juliane Banse, Andreas Schmidt, Helmut Deutsch | B Major | 1 | 1B | 77 BPM | ||
Miserere, ZWV 57: V. Sicut erat et Miserere III | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | F♯ Minor | 3 | 11A | 77 BPM | ||
Strauss, R: Brentano Lieder, Op. 68: No. 5, Amor | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | D Minor | 2 | 7A | 82 BPM | ||
Nipponari, H. 68 "Japanese Folk Songs": No. 3, Vzpomínka | Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | A Minor | 0 | 8A | 85 BPM | ||
The Wooden Prince, Sz. 60 (Final Version): I. Introduction | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Les 7 paroles du Christ: Introduction, “O vos omnes” | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 1 | 7A | 112 BPM | ||
Vespro della Beata Vergine, SV 206: Conclusio (versiculum et responsorium) "Domine, exaudi orationem meam" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Renaud Brès | D Major | 2 | 10B | 99 BPM | ||
Mignonne, WWV 57 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
Stabat Mater, Op. 58: VIII. Fac, ut portem Christi mortem (Larghetto) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Maximilian Schmitt | D Major | 0 | 10B | 130 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 1 | 6B | 60 BPM |