"Jeunes filles, 5 esquisses pour piano: No. 2. La nonchalante" by Guy Ropartz, Stephane Lemelin had its release date on August 1, 2002. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Ropartz: Musiques au jardin / Jeunes filles / Nocturnes / Scherzo". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Canada. Jeunes filles, 5 esquisses pour piano: No. 2. La nonchalante is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Jeunes filles, 5 esquisses pour piano: No. 2. La nonchalante by Guy Ropartz, Stephane Lemelin having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony-Concerto in E minor, Op. 125: I. Andante | Sergei Prokofiev, Christian Poltéra, Lahti Symphony Orchestra, Anja Bihlmaier | A Major | 2 | 11B | 160 BPM | ||
Zigeunerweisen, Op. 20: III. Un peu plus lent | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | C Minor | 0 | 5A | 88 BPM | ||
The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Symphony No. 1, Op. 13: III. Vif et vigoureux | George Enescu, Orchestre National De France, Cristian Măcelaru | B♭ Minor | 0 | 3A | 128 BPM | ||
Bagatelles, Op. 47, B. 79: No. 1, Allegretto scherzando | Antonín Dvořák, Ralph Evans, Efim Boico, Niklas Schmidt, Ryoko Morooka | G Minor | 2 | 6A | 102 BPM | ||
Rêverie | Fernand de la Tombelle, Munich Radio Orchestra, Herve Niquet | E Major | 1 | 12B | 99 BPM | ||
Ibert: Flute Concerto: II. Andante | Jacques Ibert, Emmanuel Pahud, David Zinman, Tonhalle Orchester Zürich | D♭ Major | 1 | 3B | 54 BPM | ||
Symphony No. 4 in F Minor Op. 36: II. Andantino in modo di canzona - Piu mosso | Pyotr Ilyich Tchaikovsky, Tokyo Symphony Orchestra, Jonathan Nott | B♭ Minor | 0 | 3A | 131 BPM | ||
Pelléas et Mélisande Suite, Op. 80: II. Fileuse | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Concerto for 2 Pianos and Orchestra in D Minor, FP. 61: I. Allegro ma non troppo | Francis Poulenc, Mari Kodama, Momo Kodama, Orchestre de la Suisse Romande, Kent Nagano | D Major | 2 | 10B | 114 BPM |